Structure of the Symphony
- Created by: ciara :0)
- Created on: 04-10-22 11:16
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- Development of the Symphony: Structure!!!
- Baroque
- Generally 3 Movements
- Sonata Form ABC
- Ternary Form
- Ritornello Form ABCBA
- Beginnings of 4 w/ Corelli 1712 ConGros
- Generally 3 Movements
- Early Classical
- 3 - 4 Movements
- Movements begin to connect
- C.P.E Bach Symphony in Em (3Ms) 1759
- Movements begin to connect
- Opening passage returns in unison throughout- unusual
- Ritornello Form ABCBA
- Sonata Form
- Rounded Binary
- Mannheim Court
- Genesis of symphonic form
- C.P.E Bach Symphony in Em (3Ms) 1759
- Opening passage returns in unison throughout- unusual
- Opening passage returns in unison throughout- unusual
- 3 - 4 Movements
- Late Classical
- 4 - 5 Movements
- Haydn Symphony 104 (4Ms) 1795
- 1.Sonata Form (Allegro) 2.Slower Movement (Andante) 3.Minuet and Trio (ABAish) 4.Lively Finale (sonata form)
- Adagio used instead of allegro for M1 unusual??
- 1.Sonata Form (Allegro) 2.Slower Movement (Andante) 3.Minuet and Trio (ABAish) 4.Lively Finale (sonata form)
- 1.Sonata Form (Allegro) 2.Slower Movement (Andante) 3.Minuet and Trio (ABAish) 4.Lively Finale (sonata form)
- Adagio used instead of allegro for M1 unusual??
- Programmatic Music begins
- Extra movement before finale
- Beethoven No. 6 Pastoral (5Ms) 1808
- 4 - 5 Movements
- Haydn Symphony 104 (4Ms) 1795
- Programmatic Music begins
- Extra movement before finale
- Beethoven No. 6 Pastoral (5Ms) 1808
- Broadly traditional 1M-4M Andante & Scherzo 2&3
- More peasant dance than courtly Minuet Trio played twice AABBA (short last Scherzo)
- Broadly traditional 1M-4M Andante & Scherzo 2&3
- Beethoven No. 6 Pastoral (5Ms) 1808
- Haydn Symphony 104 (4Ms) 1795
- Broadly traditional 1M-4M Andante & Scherzo 2&3
- More peasant dance than courtly Minuet Trio played twice AABBA (short last Scherzo)
- 4 - 5 Movements
- Beethoven No. 6 Pastoral (5Ms) 1808
- Haydn Symphony 104 (4Ms) 1795
- 4 - 5 Movements
- Early Romantic
- 4 - 5 Movements
- Mendelssohn No.4 Italian (4Ms) 1833
- tend to have overall program but quite vague
- Fairly conventional forms but more adventurous harmonies e.g: AM to Am
- M1 adapted from sonata form but w/ +development-recapitulation
- Berlioz Symphony Fantastique (5Ms) 1830
- 5M programmatic M2 Min/Sch equivalent but a Waltz. M3 slow
- Idee Fixe reoccurring theme throughout all Ms
- 3rd Movement move from Minuet to Scherzo
- Mendelssohn No.4 Italian (4Ms) 1833
- 4 - 5 Movements
- Late Romantic
- 4 - 5 Movements
- Mahler Symphony No. 2 (5Ms) 1894
- 2 heavy outer movements w/ 3 middle interludes
- 1. Romantic Sonata form- drama and contrast
- 2. Andante ABACA 3.Scherzo 4.Song w/ lyrics
- 5. Echoes of prev. sections final dramatic climax
- Less specific structure--
- Mahler Symphony No. 2 (5Ms) 1894
- Tone Poem
- Liszt Les Preludes No. 3 1854
- Broken into episodes based on tempo, tonality, time signature
- All very ambiguous
- Broken into episodes based on tempo, tonality, time signature
- Often narrative driven (programmatic)
- 4 - 5 Movements
- Mendelssohn No.4 Italian (4Ms) 1833
- tend to have overall program but quite vague
- Fairly conventional forms but more adventurous harmonies e.g: AM to Am
- M1 adapted from sonata form but w/ +development-recapitulation
- Berlioz Symphony Fantastique (5Ms) 1830
- 5M programmatic M2 Min/Sch equivalent but a Waltz. M3 slow
- Idee Fixe reoccurring theme throughout all Ms
- 3rd Movement move from Minuet to Scherzo
- Mendelssohn No.4 Italian (4Ms) 1833
- 4 - 5 Movements
- Mahler Symphony No. 2 (5Ms) 1894
- 2 heavy outer movements w/ 3 middle interludes
- 1. Romantic Sonata form- drama and contrast
- 2. Andante ABACA 3.Scherzo 4.Song w/ lyrics
- 5. Echoes of prev. sections final dramatic climax
- Less specific structure--
- Mahler Symphony No. 2 (5Ms) 1894
- 4 - 5 Movements
- Liszt Les Preludes No. 3 1854
- 4 - 5 Movements
- Baroque
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