Electric Counterpoint by Steve Reich Notes
A mind map with key points to remember for the GCSE music exam and some examples.
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?- Created by: emilybodenham
- Created on: 16-01-16 13:12
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- Electric Counterpoint 1987
- Rhythm and Metre
- The metre is 3/2 but the live guitar occasionally plays in 12/8
- These signatures fit together because they are booth divisible into 12 quavers a bar
- The metre is 3/2 but the live guitar occasionally plays in 12/8
- Timbre
- 7 electric guitars, 2 electric bass guitars and a solo guitar part
- Solo guitarist plays live over pre-recorded tracks
- Pitch harmony
- Made up of layering patterns on top of each other
- Overall harmony takes a long time to change
- Harmony is quite static as the chords don't change that often
- Keys: E minor and C minor. First modulation around halfway through the piece then it becomes more frequent.
- Pitch melody
- Guitar three's introductory part is built up using note addition
- Four of the ensemble parts play the same riff throughout.
- Hypnotic due to the repeating loops
- Made up of ostinatos
- Texture
- Polyphonic (two or more independent parts playing at the same time.
- Obvious conterpoint in bars 82-85 where the live guitar plays in 12/8 and the ensemble parts remain in 3/2
- Playing in canon make the polyphony interesting
- Dynamics
- Lots of changes - mainly for the solo part that fades in and out
- Four ensemble parts playing the first riff stay at a constant mezzo forte (moderately loud). The other parts have some diminuendos.
- The piece ends with the solo part playing in fortisimo (very loud)
- Structure
- Binary form
- Section A: parts gradually added, Eminor key
- Section B: all parts playing together then begin to drop out, key changes from Eminor to C and back a few times
- Binary form
- Technological effects
- The live guitarist plays along with a multi-track recording of the ensemble parts
- Looping is used to build up layers
- Each part is recorded then overdubbed using multi-tracking in a studio
- Rhythm and Metre
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