Brandenburg Concerto

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  • Created by: Sia11
  • Created on: 18-10-20 14:33
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  • Set work 1: Brandenberg Concerto No 5
    • Dynmics
      • Few dynamics used - Barque technique
      • Terraced dynamics used
    • Rhythm
      • Triplets make metre sound like compound duple time 6/8
      • Style of a gigue
      • Triplets and dotted rhythm dominate throughout
      • Harpsichord has many semi quaver runs
    • Melody
      • The melodic writing includes the use of sequences, trills and appoggiaturas
      • Opening melody of section B = based on the subject but transposed to B minor
      • Entire movement is based upon triadic and scalic ideas
      • Opening melody of section A is the subject
      • More ornaments added by the performer
    • Texture
      • Monophonic in bars 1-2 and 233-234 but the rest is contrapuntal and polyphonic
      • Frequent use of imitation - two part use between violin and flute in subject
      • Section A is in a fugal tone but it is not a fugue
      • Some tutti sections played by violin
      • Some parts play in unison
      • Canon is used
    • Structure
      • Written in ternary form (ABA)
      • Section B - bar 79 to 232
        • Ritornello structure
        • B minor with modulations to F# minor and A major
      • Section A - bar 1 to 78 and bar 233 to 310
        • D major with modulation to A major
        • Fugal
    • Harmony
      • Simple, diatonic chords
      • Mostly triads in root position or first inversion
      • Dominant 7ths
      • Tonic and dominant pedals underline changes in key
      • Perfect cadence to end each section
      • Suspensions
    • Instrumentation
      • Flute
      • Harpsichord
      • Violin
    • Time/Tempo
      • Tempo is Allegro
      • Written in simple duplo time 2/4
    • Context
      • There is a Basso Continuo with figured bass for the harpsichord
      • Written in the late baroque period
      • It is a concerto grosso piece meaning there is group of solo instruments and an orchestra
        • Ripieno - played by  string ensemble, violin, viola, violoncello and double bass
        • Concertino - played by  violin, flute  and harpsichord
      • Terraced dynamics - two contrasting levels of dynamics, just loud and soft - were used because it is no possible to use many dynamics on the harpsicord
  • Section A - bar 1 to 78 and bar 233 to 310
    • D major with modulation to A major
    • Fugal
  • Time/Tempo
    • Tempo is Allegro
    • Written in simple duplo time 2/4

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