String Quartet in Eb by Haydn

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  • Created by: Letta1999
  • Created on: 20-05-16 11:55
Year this piece was composed in
1782
1 of 39
The intended performers
Proffesional
2 of 39
The instrumenatation of the piece
String Quartet
3 of 39
Teh part with the main melodythroughout
Violin 1
4 of 39
The section which starts fortissimo
Episodes
5 of 39
Teh section which starts piano
Refrains
6 of 39
The bowing technique used throughout
Arco
7 of 39
The articulation throughout
Staccato
8 of 39
The instumental technique used for mock solemnity
Double Stopping
9 of 39
The main structure of this piece
Rondo Form
10 of 39
The use of this form in the A section
Rounded Binary
11 of 39
A structural and melodic technique used
Monothematicism
12 of 39
The number of parts mainly playing
Four
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The type of homophony used
Melody Dominated
14 of 39
The section which transfers melody to other parts
Episode 2
15 of 39
Type of harmony used in bars 9-11
Parallel Sixths and thirds
16 of 39
Type of movement used in pause chords
Homorhythmic
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Type of tonality and harmony used
Functional
18 of 39
The piece modulates to thsi type of key
Related
19 of 39
Types of cadences used to reinforce harmony
Perfect
20 of 39
Use of this harmonic device in cello at bar 22
Pedal
21 of 39
The tonic key of teh piece
Eb Major
22 of 39
Modulations to ...
Bb Major Ab major and F minor
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Use of this harmonic feature to create tension
Dissonance
24 of 39
Dissonace heard at end of episode 1
Diminished Seventh
25 of 39
Dissonace used for mock solemnity
Dominant Ninth
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Rare type of dissonance used in bar 14
Suspension
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Dissonance used when Bb resolves upwards in bar 4
Chromatic Retardation
28 of 39
Opening melodic figure
Escappe Figure
29 of 39
Second motif comprises of ... three note pattern
Ascending
30 of 39
Third motif features this type of melodic movement
Descending Arpeggio
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Use of this melodic device in bar 25
Sequence
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Type of phrasing used
Periodic
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The main tonality of the melody
Diatonic
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Type of metre used
Compound Duple
35 of 39
The main note length used such as in Violin I part
Continuous Quavers
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Use of this type of rhythm in Adagio
Lombardic
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Rhythmic device used to alter motif before sequence
Dimunition
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Technique used to create sense of metrical distortion in episode 1
Elision
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Other cards in this set

Card 2

Front

The intended performers

Back

Proffesional

Card 3

Front

The instrumenatation of the piece

Back

Preview of the front of card 3

Card 4

Front

Teh part with the main melodythroughout

Back

Preview of the front of card 4

Card 5

Front

The section which starts fortissimo

Back

Preview of the front of card 5
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