Qui sedes ad dexteram patris

?
Context: What is Vivaldi's Gloria?
Oratorio
1 of 28
Melody: Is the melody in the Ritornello conjunct or disjunct?
Conjunct
2 of 28
Where is the rising and falling motif? Where else does it occur?
Bars 4-5 and 29-31
3 of 28
Melody: What is in bars 8-13? Is it rising or falling at the start?
A sequential passage that starts will a falling sequence
4 of 28
Melody: What do the instrumental sections allow?
It allows the voice to have a break
5 of 28
Melody: Is the vocal melody conjunct or disjunct? What are the intervals?
The vocal melody is disjunct and it is an interval of a 4th
6 of 28
Melody: Which word has the most melisma?
Miserere
7 of 28
Melody: In the 2nd episode, which of the two first phrases is melismatic and which is syllabic?
The first phrase is mainly syllabic and the second phrase is mainly melismatic
8 of 28
Texture: The Violins, Alto voice and Basso continuo form a...
3 part texture
9 of 28
Texture: When do the Violin and Viola play in unison?
Bars 4-5
10 of 28
Texture: What is the texture at the beginning?
Homophonic
11 of 28
Texture: Who plays the main melody in the Ritornello section?
The Strings play the main melody and are accompanied by the Basso continuo
12 of 28
Rhythm: What does the main motif consist of?
It consists of 2 semiquavers and 2 quavers
13 of 28
Rhythm: What are there lots of?
Semiquaver passages
14 of 28
Rhythm: What is the time signature?
Simple triple time - 3/8
15 of 28
Rhythm: Where are examples of syncopated rhythms?
Bar 10 and bar 12
16 of 28
Rhythm: Where is some use of hemiola rhythms?
Bar 20-21 3/8 feels like 3/4
17 of 28
Harmony/Tonality: What key does the piece start in?
B minor
18 of 28
Harmony/Tonality: Where are there cadences to confirm the key of the piece?
Bars 2-3
19 of 28
Harmony/Tonality: What is an example of a complex chord?
A Neapolitan chord - chord based upon the flattened supertonic in 1st inversion
20 of 28
Harmony/Tonality: Where is an example of chromaticism?
C natural in bar 18
21 of 28
Harmony/Tonality: Where doe the piece start to move to the dominant?
Bar 52 - It moves to F# minor (dominant)
22 of 28
Harmony/Tonality: Does the 2nd episode stay in the dominant or move to another key?
It starts in F# minor but moves to E minor (sub-dominant) at the end
23 of 28
Harmony/Tonality: What key is the 3rd episode in?
Starts in E minor but moves to D major (relative major of B minor)
24 of 28
Harmony/Tonality: What key is the 4th episode in?
B minor but has some chromaticism such as G# in bar 112
25 of 28
Harmony/Tonality: What key is the final Ritornello in?
B minor
26 of 28
Harmony/Tonality: What sort of cadence is at the end?
Perfect cadence in B minor
27 of 28
Structure: What is the structure?
Ritornello section - 1-27, 1st episode - 28-58, short Ritornello - 58 (beat 3)-64, 2nd episode - 65-80, short Ritornello - 80 (beat 3)-84, 3rd episode - 85-92, short Ritornello - 92 (beat 3)-97, 4th episode - 97-131, final Ritornello - 131-end
28 of 28

Other cards in this set

Card 2

Front

Melody: Is the melody in the Ritornello conjunct or disjunct?

Back

Conjunct

Card 3

Front

Where is the rising and falling motif? Where else does it occur?

Back

Preview of the front of card 3

Card 4

Front

Melody: What is in bars 8-13? Is it rising or falling at the start?

Back

Preview of the front of card 4

Card 5

Front

Melody: What do the instrumental sections allow?

Back

Preview of the front of card 5
View more cards

Comments

No comments have yet been made

Similar Music resources:

See all Music resources »See all Arias resources »