1820-1900, Schubert, Schumen, Brhams, piano, horns, violin=bigger role
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Concerto
Soloist + orchestra 3 movements, designed for showing off, fast slow fast
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Sonata form
Classical era, 2 tunes, masculine and feminine, perfect cadence, it contrasts by highlighting feature, 3 parts introduction= Expositio, developed +combined= Development, last is subjects again but in the tonic key
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Fuges
Like a canon, a subject used again and again, 4 parts STAB
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Fuge: Counterpoint
A round that makes harmony
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Fuge: imitation
A round, each part is the same and different parts of it appears at different places
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Chamber music
Classical, no continuo, small and private, ornamented and showy
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