Music A Level Haydn Symphony no.104 Analysis - Exposition - Movement One 4.5 / 5 based on 2 ratings ? MusicHaydn Symphony no.104Movement OneASAQA Created by: Phoebe_LynchCreated on: 12-01-16 10:00 What key is the first subject in? D major 1 of 51 What is the tempo marking for the exposition? Allegro 2 of 51 What is the time signature for the exposition? Split common time 3 of 51 What is the dynamic marking at bar 17? Piano (p) 4 of 51 Which bars is the exposition section? Bars 17 to 123 5 of 51 What type of cadence is in bar 20? Half close cadence (Ic-V) 6 of 51 What extremely classical feature is used in the first 16 bars of the exposition? Periodic phrasing 7 of 51 What type of harmony is used in the first subject? Mainly diatonic 8 of 51 What rhythmic device is used in the two violin parts in 21 and 22? Syncopation 9 of 51 What interval are the violin and the cello/double bass in in bars 21 and 22? Thirds 10 of 51 What type of cadence finishes the first 8 bar section of the exposition? Imperfect 11 of 51 What is the different between the minims in bars 21 & 22 and in bars 29 & 30? They ascends rather descend (they are inverted) 12 of 51 What is the chord pattern in bars 32 to 35? I-IVc-I (D major - G major second inversion - D major) 13 of 51 Which chords are alternated between bars 35 and 39? I and IVc (D major and G major second inversion) 14 of 51 At which bars in the first subject are the instruments playing tutti in homophonic texture? Bars 32 and 34 15 of 51 What string techniques are used in bars 32 and 34? Double and triple stopping 16 of 51 What is the dynamic marking at bar 32? Forte (f) 17 of 51 What do the violin II and the viola play from bars 40 to 43? Tonic pedals 18 of 51 Which note is added for chromaticism in bars 40 to 42? A sharp (A#) 19 of 51 Which bars is the first subject? Bars 17 to 49 20 of 51 Which cadence leads into the transition section of the exposition? Perfect 21 of 51 What melodic feature is seen between bars 40 and 43? Descending sequence 22 of 51 What melodic feature is seen between bars 46 and 47? Ascending sequence 23 of 51 Which instruments play staccato in bars 45 to 49? Both violins 24 of 51 From 'what' are the melodic phrases in the transition section based on? The first subject 25 of 51 Which note is added in the transition that suggests a move to A major? G sharp (G#) 26 of 51 What type of pedal do the cello and double bass play between bars 57 and 64? Dominant pedal 27 of 51 What is there in bar 64 that mirrors the ending of the introduction? Silence 28 of 51 Which key is the second subject in? A major 29 of 51 Which family of instruments are added in the second subject that weren't in the first subject? Woodwind 30 of 51 What enriches the harmonies in bars 74 to 77? Chromaticism 31 of 51 What type of cadence ends on the first beat of bar 80? Interrupted 32 of 51 Which chord camouflages a possible modulation in bar 79? Ic (tonic in second inversion) 33 of 51 Where is the syncopation idea from bars 21 and 22 used again in the second subject? Bars 80 to 82 34 of 51 Which bars in the second subject reuse the I-IVc-I idea from bar 32? Bars 86 to 89 35 of 51 Which note is added in bar 91 that implies a move to E major? D sharp (D#) 36 of 51 Which ornament is used in bar 91? Trill 37 of 51 Which bars is the transition section? Bars 50 to 64 38 of 51 Which bars is the second subject? Bars 65 to 98 39 of 51 Which bars is the codetta? Bars 99 to 123 40 of 51 Which cadence ends on the down beat of bar 99? Perfect 41 of 51 What do the trumpets play in bars 99 to 103? Tonic pedal in octaves 42 of 51 What do the flutes play at bars 101 and 103? Descending tonic triads 43 of 51 What do the oboes plays at bars 105 and 107? Ascending tonic triads 44 of 51 What type of pedal is heard in the bass between bars 120 and 123? Tonic pedal 45 of 51 What is heard at the end of the exposition? Silence 46 of 51 What is the melody in the first 16 bars of the first subject? Conjunct 47 of 51 In which register do the strings play in bars 17 to 32? Mid-register 48 of 51 Which figure is used repeatedly throughout bars 33 to 39? Semiquaver figure 49 of 51 What happens in the first 4 bars of the transition section? There is a striking four-bar phrase 50 of 51 What texture does the orchestra play in in bars 89-91? Octaves 51 of 51
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