Morvern Callar

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1. "There are no traditional turning points, character motivations, or outcomes"

  • Matthew Turner, The ViewLondon Review
  • Eileen Elsey, Vertigo
  • Bec Smith, Inside Film
  • Elvis Mitchell, New York Times
  • Jonathan Romney, Independent
  • Laura Bushell, BBC Movies
  • Peter Bradshaw, Guardian
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2. "life of hedonism and ambiguous freedom"

  • Jonathan Romney, Independent
  • Peter Bradshaw, Guardian
  • Chris Darke, Vertigo
  • Laura Bushell, BBC Movies
  • Sight & Sound 2002
  • Eileen Elsey, Vertigo
  • Matthew Turner, The ViewLondon Review

3. "Flag-bearer for new British film-making"

  • Laura Bushell, BBC Movies
  • Jonathan Romney, Independent
  • Matthew Turner, The ViewLondon Review
  • Bec Smith, Inside Film
  • Eileen Elsey, Vertigo
  • Sight & Sound 2002
  • Chris Darke, Vertigo

4. "Out of key with the usual depictions of youth-culture hedonism"

  • Laura Bushell, BBC Movies
  • Jonathan Romney, Independent
  • Bec Smith, Inside Film
  • Peter Bradshaw, Guardian
  • Sight & Sound 2002
  • Chris Darke, Vertigo
  • Eileen Elsey, Vertigo

5. "Charting of moods" over plot/narrative

  • Peter Bradshaw, Guardian
  • Sight & Sound 2002
  • Graham Rae, American Cinematographer
  • Eileen Elsey, Vertigo
  • Jonathan Romney, Independent
  • Elvis Mitchell, New York Times
  • Matthew Turner, The ViewLondon Review

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