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Give examples of tierce de picardies and juxtaposed major/minor 3rds at the cadences.

Is the writing homophonic or polyphonic?

Give an example of Morley reducing the number of voices to a semi-choir or quartet and contrasting blocks of voices imitatively.

Where does Morley tend to use homophonic texture?

Does Morley use basic or advanced chords?

What type of cadences does Morley use most frequently?