1st Movement from Symphony No.40 in G Minor - 1st Subject
Sonata form, 3 Sections: exposition; development; recapitulation, 2 subjects, 1st subject is in tonic key, 2nd subject is in relative major - Bb major, development features modulations and recapitulation is all in tonic.
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1st Movement from Symphony No.40 in G Minor - 2nd Subject
Melody starts on beat 4 of the bar - anacrusis, 2nd subject starts of first beat of bar, has falling phrases, uses longer note values, melody shared between strings and woodwind, development uses imitation and contrapuntal textures.
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And the Glory of the Lord
Continuous bass part played by cello, lots of ornaments in melodic parts, harpsichord plays harmonies, homophonic, step dynamics, much imitation, A Major key,
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And the Glory of the Lord - Ideas 1 and 2
1: Mainly syllabic, first three notes form A major triad, stepwise scale ending. 2: made up of two one bar descending sequences and is melismatic, so has multiple notes to a syllable.
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And the Glory of the Lord - Ideas 3 and 4
3: Three repetitive statements of the descending fourth idea making sure that the statement is firm and understood. 4: Has only 2 notes, A and B, long dotted minims ensure words are emphasised.
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Raindrop Prelude
Ternary form structure, A - Db Major, B - C# Minor - enharmonic modulation. Homophonic texture - melody is supported by broken chords, repeated Ab quavers form the pedal beat, flexible rhythms,
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Raindrop Prelude - Section A and A1
A: Db Major, melodic line falls and rises with dynamics in the middle, notes are mainly slurred, septuplet is used in final bar and preceded by grace note. A1: Much shorter than A section, septuplet is replaced with 10semi-quavers. Coda is monophonic
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Raindrop Prelude - Section B
C# minor, sotto voce marking, repeated quavers in right hand, long melody in left hand - mainly crotchets.
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Other cards in this set
Card 2
Front
Melody starts on beat 4 of the bar - anacrusis, 2nd subject starts of first beat of bar, has falling phrases, uses longer note values, melody shared between strings and woodwind, development uses imitation and contrapuntal textures.
Back
1st Movement from Symphony No.40 in G Minor - 2nd Subject
Card 3
Front
Continuous bass part played by cello, lots of ornaments in melodic parts, harpsichord plays harmonies, homophonic, step dynamics, much imitation, A Major key,
Back
Card 4
Front
1: Mainly syllabic, first three notes form A major triad, stepwise scale ending. 2: made up of two one bar descending sequences and is melismatic, so has multiple notes to a syllable.
Back
Card 5
Front
3: Three repetitive statements of the descending fourth idea making sure that the statement is firm and understood. 4: Has only 2 notes, A and B, long dotted minims ensure words are emphasised.
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