'And the Glory of the Lord' Key definitions to learn from Handel - AOS 1 4.0 / 5 based on 1 rating ? MusicHandelGCSEEdexcel Created by: Jennifer StockerCreated on: 20-04-13 14:26 the mood of a piece, it was customary in Baroque music for a single mood to prevail Affection 1 of 26 notes of chords belonging to or literally 'of the key' Diatonic 2 of 26 a musical texture comprising of a melody and accompaniment. Homophonic 3 of 26 Refers to the melody line Melodic 4 of 26 A musical texture of a single melodic line with no accompaniment Monophonic 5 of 26 A music texture which featuring two or more parts, each having a melody line and sounding together Polyphonic 6 of 26 A large scale musical setting for chorus, soloists and orchestra of biblical text. Oratorio 7 of 26 The text/works of a musical work such as an opera or oratorio Liberetto 8 of 26 A solo vocal piece with instrumental accompaniment Aria 9 of 26 A style used in operas, oratorios and cantatas in which text is told in the rhythm of natural speech Recitative 10 of 26 Fifth note of a scale/key Dominant 11 of 26 Grouping of notes to make it sound like a change in time signature Hemiola 12 of 26 Two chords at the end of a musical phrase Cadence 13 of 26 V-I Perfect cadence 14 of 26 IV-I Plagal cadence 15 of 26 ?-V Imperfect cadence 16 of 26 V-IV Interrupted cadence 17 of 26 A change in key Modulation 18 of 26 a sustained or repeated note usually in the bass part Pedal Note 19 of 26 Separate parts copying each other Imitation 20 of 26 one note per syllable Syllabic 21 of 26 the opening passage to a piece Introduction 22 of 26 1st degree of a scale Tonic 23 of 26 two melodies that are played at the same time weaving in and out Two-Part Counterpoint 24 of 26 Slow Adagio 25 of 26 More than one note per syllable Melismatic 26 of 26
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