Jekyll and Hyde context

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Dr Jekyll is a good man, much admired in his profession. Mr Hyde, meanwhile, is evil. He is a murderer; a monster who tramples upon a small girl simply because she happens to be in his way. On a deeper level, however, the comparison is not merely between good and evil but between evolution and degeneration. Throughout the narrative Mr Hyde’s physical appearance provokes disgust. He is described as ‘ape-like’, ‘troglodytic’ and ‘hardly human’ (ch. 2). As Mr Enfield, a well-known man about town and distant relative of Jekyll’s friend Mr Utterson, observes ‘There is something wrong with his appearance; something displeasing, something downright detestable’ (ch. 1). Some 15 years before Jekyll and Hyde, Charles Darwin had published The Descent of Man (1871), a book in which he concluded that humankind had ‘descended from a hairy, tailed quadruped’ which was itself ‘probably derived from an ancient marsupial animal’. Going back even further, Darwin hypothesised that these stages of evolution had been preceded, in a direct line, by ‘some amphibian-like creature, and this again from some fish-like animal’. Such a nightmarish biological lineage that denied the specialness of humans, feeds into many late-Victorian Gothic novels. Dracula’s ability to transform into the shape of a wolf or a bat is one example.

Mr Hyde is regarded as physically detestable but perhaps only because he subconsciously reminds those he encounters of their own distant evolutionary inheritance. When Dr Jekyll’s medical colleague, Dr Lanyon, witnesses Hyde transform back into Jekyll, the knowledge that the ugly, murderous beast exists within the respectable Victorian scientist sends him first to his sick-bed, and then to an early grave.

The depiction of Dr Jekyll’s house was possibly based on the residence of famous surgeon John Hunter (1728–1793), whose respectable and renowned house in Leicester Square in the late 18th century also had a secret. In order to teach and to gain knowledge about human anatomy, Hunter required human cadavers, many of them supplied by ‘resurrection men’ who robbed fresh graves. These were brought, usually at night, to the back entrance of the house, which had a drawbridge leading to the preparation rooms and lecture-theatre

The front aspect of Dr Jekyll’s house presents a ‘great air of wealth and comfort’ (ch. 2). Meanwhile Mr Hyde, soon after we first encounter him, is seen entering a building which displays an air of ‘prolonged and sordid negligence’ (ch.1). The twist is that the reputable front and the rundown rear form two sides of the same property. Stevenson is not only making the point that the respectable and the disreputable frequently exist in close proximity, but also that a respectable façade is no guarantee against dark secrets lurking within. In a similar fashion, the seemingly decent Mr Enfield, a friend of the lawyer Mr Utterson, first encounters Hyde while ‘coming home from some

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