Western Classical Orchestras

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Baroque Orchestra

  • Small size (chamber orchestra)
  • Harpsichord or organ playing basso continuo
  • No conductor- led by the keyboard player
  • Strings- violins, violas, cello and double bass
  • Woodwind- wooden flute or recorder, oboe and bassoon
  • Brass- sometimes trumpets and/or horns but these did not have valves
  • Percussion- timpani
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Classical Orchestra

  • Increased size of the orchestra
  • Now usually had a conductor
  • No basso continuo part but there was still a keyboard instrument in most for accompaniment
  • Strings- violins, violas, cellos, double basses
  • Woodwind- flutes, oboes, clarinets, bassoons
  • Brass- trumpets and horns (but still with no valves)
  • Percussion- timpani
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Romantic Orchestra

  • Increased size to 70-120 players
  • Development in technology led to valves on brass instruments and improvements to the piano
  • Officially had a conductor
  • Strings- violins, vioals, cellos, double basses, harps
  • Woodwind- piccolos, flutes, oboes, clarinets, bass clarinet, bassons, contra-bassoons
  • Brass- trumpets, cornets, french horns, trombones, tubas
  • Percussion- piano, timpani, bass drum, snare drum, gong, cymals, castanests, xylophones, triangle, tubular bells
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Features of Baroque Music

  • Long, flowing melodic lines with lots of ornamentation, like trills and turns
  • Terraced dynamics, sometimes creating an echoing effect
  • Contrast between solo and ensemble textures
  • Contrapuntal textures (polyphony)
  • Harpsichord continuo
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Features of Classical Music

  • Less complex than Baroque with lighter textures and less ornamentation
  • Emphasis on grace not grandeur
  • Formal structure with all phases balancing and proportionate. Ends of phrases clearly marked with a cadence
  • Symphonies had 3 or 4 movements
  • SONATA FORM
  • Simpler harmonic progressions improved effectivenes of harmonies
  • Homophonic textures (melody with chordal accompaniment)
  • Varied and flexible styles
  • Basso continuo falls out of use
  • Wrote for wider audiences than just the church or the court
  • Less reliance on the harpsichord which is eventually replaced by the piano forte
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Features of Romantic Music

  • New structures e.g. extended symphonies/ operas, programme music, preludes, piano concerti
  • Music portrays a range of feelings and emotion
  • Modulations to unusual keys
  • Extravagant, extended and dissonant chords used
  • Harmony was often dissonant and chromatic to make it sound richer
  • Instruments used in extremes of pitch and also difficulty - the rise of virtuosity
  • Brass sections heavily emphasised
  • Extremes of dynamics, including the new sfz (sforzando)
  • Less rigid tempos - RUBATO
  • Use of folk tunes in the melodies
  • Use of Idee Fixe (Berlioz), thematic transformation (Liszt), leading motifs (Wagner) and motto themes
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