Symphony No. 40 in G minor, Movement I 0.0 / 5 ? MusicMozartGCSEEdexcel Created by: Viv LeongCreated on: 08-04-14 16:01 Symphony No. 40 composed in 1788 part of Symphony No. 40 first movement on the symphony originally scored without clarinets but soon rewritten with them no trumpets or timpani used 1 of 11 General features of Classical music (c. 1750-1830) typical Classical orchestra strings: violins, violas, cellos, double basses woodwind: flutes, oboes, clarinets, bassoons brass: trumpets, French horns percussion: timpani symphonies were one of the most important genres of the Classical area a typical symphony would have four movements emphasis on regular phrasing of graceful and well-proportioned melody lines (normally eight bars long) - periodic or regular phrasing melody-dominated texture popular, though polyphony also used musical structures were symmetrical and balanced clear-cut key schemes used regular cadences chords used for structural purposes (based on I, IV, V, II and VI contrasts in keys, melodies and varied dynamics standard orchestra established, while harpsichord became redundant new instrumental musical genres emerged - sonata for a solo instrument, concerto, symphony, string quarter 2 of 11 First subject first heard in violins I and II (one octave apart) begins with anacrusis repeating motif of falling quavers goes up a sixth descending stepwise movement 3 of 11 Second subject now in Bb major some extended note values begins on first beat of bar calm, descending semitones various cadences used 4 of 11 Melody two ideas: subjects one and two balanced phrases question and answer - balanced use of sequences some stepwise movement and some more jumpy movement 5 of 11 Harmony/tonality begins in G minor, modulates to Bb major (relative major) in second section several keys used during development section (E minor, A minor, C major and F major) - modulation around the circle of fifths regular use of cadences largely diatonic with some chromaticism triads in root position and inversions some dominant 7th chords 6 of 11 Rhythm/metre some syncopation lots of quaver runs semi-quavers used dotted rhythms 4/4 (simple quadruple) throughout different sections use different rhythms 7 of 11 Texture largely melody-dominated homophonic some monophony and polyphony imitation used quite often some doubling of parts 8 of 11 Tempo molto allegro (very fast) 9 of 11 Dynamics begins piano use of sforzando crescendos and diminuendos used - wide range used for dramatic effect 10 of 11 Structure sonata form (somewhat similar to ternary form) exposition development recapitulation exposition and recapitulation similar to each other coda at the end, finishes off with perfect cadence 11 of 11
Area of Study 1: Western classical music 1600-1899: Mozart 1st Movement, Symphony No.40 in G Minor 3.5 / 5 based on 2 ratings
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