'Still Life' at the Penguin Cafe
a dance study, choreographed by David Bintley
- Created by: Harri
- Created on: 26-05-11 19:54
Creators
Choreographer - David Bintley
Composer - Simon Jeffes
Designer - Hayden Griffin
Dance Idea - Endangered Species
Section 1 - The Great Auk a
Costume - penguin masks, tail coats, bow ties, joined trousers (shows short legs), carrying shampgane glass trays (show they are waitors)
Acompaniment - light hearted, chirpy, mainly woodwind
Set Design - ice burg backdrop (shows habitat)
Lighting - bright white/pale blue
Action Content - flexing feet, turns, polka, gallops, hops
Dynamics - skimming, bouncy
Use of Space - small actions, curving floor patterns, angular and asemetrical body shapes
Relationships - interweaving, solo, unison, cannon
Section 1 - The Great Auk b
Costume - penguins, as section b (some without trays) women in floaty ballgowns with coloured skirts that fade to cream at the waist
Acompaniment - light hearted, chirpy, mainly strings and piano
Set Design - grand wall with windows backdrop
Lighting - warmer lighting
Action Content - walking, pivot steps, backbends, lifts, kicks, ballroom hold
Dynamics - gliding, graceful, light
Use of Space - symetry, linear floor patterns, large movements
Relationships - couples, group unison, some solo, leading and following
Section 2 - Utah Longhorn Ram
Costume - a sheep mask with horns (to show the animal), an apricot coloured dress that fades at the top and has a spiraling removable skirt
Acompaniment - gentle, galloping speed with violins and precussion
Set Design - starts the same as 1b and then becomes a barren red rocky backdrop when the skirt is removed
Lighting - lilacy blue, a spotlight on the ram
Action Content - steps, hops, pivots, siscor kicks, iscolations
Dynamics - smooth, graceful, bouncy, controlled
Use of Space - small and large movements, linear floor patterns, angular arms
Relationships - varations; duo with changing partners, quintet and solo, quartet and duo, following, unison
Section 3 - Texan Kangeroo Rat
Costume - rat mask, dungarees (shows habitat), grubby shirt (shows he works)
Acompaniment - ***-down style (shows habitat), joyful and simple tune, wind and precussion
Set Design - a desert scene (shows habitat), with large cacti (shows scale) backdrop
Lighting - greeny yellow
Action Content - hops, leaps, turns, travelling, circling iscolated body parts, slapping the knee, scratching
Dynamics - light, fast, fluid, relaxed
Use of Space - centre stage, zigzag and circular pathways, big/small movements
Relationships - solo, symmetrical and mirror image repetitions
Section 4 - Humboldt's Hog-nosed Skunk Flea
Costume - orange lycra body suit with yellow bands around the waist and limbs (shows segments of the insect), helmet shaped flea mask with wobbly anteni, male dancers wearing morris dancing outfits
Acompaniment - lively folk music, brass and maracas
Set Design - brown fur backdrop (shows habitat)
Lighting - bright with spotlight on the flea
Action Content - skipping, hopping, running, kicks, pointe work
Dynamics - relaxed, bouncy, energetic, strong, some floppy
Use of Space - circular and linear floor patterns, symetry
Relationships - uniso, couple, following, duo, group
Section 5 - Southern Cape Zebra
Costume - lycra body suit with zebra stipes, neck and face painted, mohecan style main that runs from head to tail.
Acompaniment - minor key, piano, elegiac
Set Design - hazy scene (shows heat) with trees, on backdrop
Lighting - dim natural effect lights
Action Content - walking, stillness, jumping, balances, twisting and iscolations of the spine, twitching hands
Dynamics - fluid, graceful, bouyant
Use of Space - mainly downstage, linear floor patterns
Relationships - solo and a group of eight women, no interaction
Section 5 - Rain Forest People
Costume - tribal skirt things, necklaces and tribal markings on the face
Acompaniment - strings and harp, slow paced, simple
Set Design - tropical leaves
Lighting - green light that casts long shadows
Action Content - suporting lifts, leaps, runs, kneeling
Dynamics - smooth, flowing
Use of Space - circular floor patterns, large gestures, extreme level changes
Relationships - trio, unison, duo
Section 7a - Brazilian Wooly Monkey
Costume - monkey mask, gold tail coat top hat and shoes, bright coloured trousers, women in brazilian dresses, bright pinks
Acompaniment - party music, lively samba
Set Design - fan shaped leaves, show habitat
Lighting - green dappled
Action Content - lifts, turning, traveling, kicks
Dynamics - fast, energetic, bouncy
Use of Space - whole stage used
Relationships - solo, duo, trio
Section 7b - the Flood
Costume - dancers from all sections, without masks
Acompaniment - rain, thunder, galloping rhythm
Set Design - black backdrop, light to reveal noah's arc
Lighting - lightening, silvery dim lighting
Action Content - elevation, traveling, lifts
Dynamics - fast, sudden pauses, drooping
Use of Space - lang actions, curving body shaps, whole stage used
Relationships - solo, duo, group, unison, dancing with dancers from different sections
Filming Tecniques
close up, long shot, rain overlay in the flood
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