Sonnets

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  • Created by: Molly325
  • Created on: 16-05-18 09:30

Petrarchan Sonnet

Francessco Pertrarca - born on July 20th 1304

  • he lived in Arezzo, Italy
  • He was fixated on a woman called, Laura De Noves - writing many sonnets about his love.
  • He created the Italian form of the sonnet

Italian Sonnet

  • Two Stanzas
  • One octave (8 lines) followed by a sestet (6 lines).
  • A Volta shows this change between the two sections - a volta is a change
  • the first 8 lines (octave) - arguement, observation or question]
  • the 6 final lines (sestet) - clarification, answer
  • rhyme scheme - abbaabbacdecde

Sir Thomas Wyatt translated the Italian Sonnet into English, during the reniassance period.

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Shakespearean Sonnet

William Shakespeare - Born April 1564

  • Lived in England, he created his own variation of a sonnet
  • He wrote 152 sonnets - mostly on the topic of love - conventional

English Sonnet

  • Three quatrains, ending with a rhyming couplet
  • The couplet plays a pivotal role in the poem, it forms a conclusion, or an amplification from the previous three stanzas.
  • rhyme scheme - abab,cdcd,efef,gg
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Miltonic Sonnet

John Milton - Born 9th December 1608

  • He took the sonnet out of the category of 'love poems' and brought it into the world of politics and social issues at the time.
  • He converted the traditional Pertrarchan Sonnet, by including the use of enjambment
  • The enjambement is used to tighten the sonnet form, leaving the 14 lines unbroken by stanzas.
  • conventionally iabic pentameter
  • uses the Petrarchan rhyme scheme - abbaabbaacdecde
  • the volta occurs around the octave
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Spenserian Sonnet

Edmund Spenser - Born 1552 - London

  • Did a variation on the Shakespearean sonnet
  • It has interlocking quatrains
  • the couplets link throughout - changing the shakespearean sonnet slightly by adding more couplets throughout the structure.
  • rhyme scheme - abab, bcbc, cdcd, ee
  • This adds less pressure on the couplet at the end, easing the reader into the final couplet of the poem.
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