- Mainly diatonic
- Chromatic scale bars 25-26 in the first subject
- In bar 68 chromaticism is used to form a melody
- Motif 1 is introduced at bar 8 in the introduction and it’s used throughout the piece with a lower auxillery note, e.g. it is used for a 3 note anacrusis opening of the Exposition
- This is motif is also inverted in bar 29
- The 2nd subject theme at bar 53 is made up of intervals of a 4th before moving conjunct
- It continues at bar 61 as a descending passage of quavers, slurred in pairs
- The final motif in the second subject, bar 86, is a descending sequence, of staccato notes making it march-like
- All motifs played in violin
- There is a wide variety of ornamentation used, bar 28 – turn (violin), bar 85 – trill (clarinet)
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