Psycho - Herrmann

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Context

  • 1960
  • Alfred Hitchcock - Director
  • American - New York
  • More varied and modernist
  • Orchestrated his own works - unusual
  • Psycho - classic horror/thriller
  • Low budget b&w film
  • '33% of effect due to music' - Hitchcock
  • Only for strings because of low budget
  • Strings help with stark & cold nature
  • 40 cues written for the film
  • cues vary from ruthless to warm
  • Unity through LEITMOTIF
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Resources

  • Crucial in helping to establish mood
  • Just string orchestra (5 part)
  • Con sordino
  • Lots of techniques - pizz, trem, accents, down bows, divisi, sul pont
  • Extremes of register
  • Lush divisi at times
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Structure

  • Leitmotif helps to unify cues
  • Prelude - in 6 cues
  • The City - in6 cues
  • Murder - in 4 cues
  • Madness motif is associated with Bates - in Finale
  • Cues built up around a limeted number of ideas
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Melody

  • Short motifs rather than developed melody lines
  • Lots of repetition, sequences and development
  • Semitone movement is common
  • Leitmotif - ideas associated with characters and moods
  • Sometimes chromatic
  • Prelude melody - from 2 interlocking major 3rds
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Tonality

  • Generally avoides tonal centres and keys
  • Sometimes basically tonal (Marion)
  • Sometimes atonal (Murder)
  • Some cues use dissonant harmony with references to tonal centres
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Rhythm, metre and tempo

  • Crucial for mood
  • Tempi suit psychological intention of scenes
  • Driving rhythms - motor rhythms
  • Syncopation
  • Heavy accents
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Texture

  • Crucial in helping mood
  • Very varied and interesting string textures
  • Homophony, monophony, polyphony, homorhythm, fugal textures
  • Ostinato, pedals, octave doublings, divisi
  • Texture builds and falls
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Harmony

  • Chords used for sound and NOT function
  • Crucial for mood
  • Dissonance - 8 part chord clusters
  • Atonal
  • Complex chords
  • Hitchcock chord - minor triad with major 7th
  • Chromatic
  • Non functional - avoids traditional tonal centres and cadence points
  • Augmented 4ths (tritones)
  • Extended chords
  • Impressionistic use of diminished 7th and half diminished
  • Parallel movement - Toys
  • Chords a semitone apart next to each other - Prelude, Ebm then Em
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Dynamics and articulation

  • Varied
  • Crucial
  • Sfortzando
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Wider listening

  • Vertigo (1958)
  • Taxi driver - Scorsese (1956)
  • King Kong - Steiner (1933)
  • String quartet no. 1 - Bartok
  • Rite of spring - Stravinsky
  • The day the Earth stood still
  • Citizen Kane
  • Planet of the apes - Goldsmith (1968)
  • On the waterfront - Bernstein (1954)
  • Pagodes - Debussy
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