Extremes of pitch: Large and angular leaps. Atonal melodies very chromatic.
Extremes of rhythm: Extreme rhythmic duration. Relatively long notes followed by flourishes of short notes.
Hauptstimme: Principle voice. Highly polyphonic but Schoenberg uses H and closing bracket to indicate which voice is most important at one time.
Nebenstimme: Secondary voice. Second most important melody at any given time. Indicated by N and closing bracket.
Hexachords: Melodic fragments constructed from group of six notes from the chromatic scale.
Klangfarbenmelodie: Sound colour melody. Different instruments contribute short motifs to form complete melody. Schoenberg believed timbre important aspect of melody.
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