Nude

?

Ingres 'Une Odalisque' (1814)

Style

  • Neoclassical - idealised, elongated, unnatural (3 extra vertebrae), serpentine, porcelin skin, enlarged hips, retrained expression, limitted colour paleette, freize-like shallow depth of space, sprezzatura
  • Romantic- exotic subject matter, imagination, criticised for 'expressive' use of colour

Orientalism

  • Mise en scene of Eastern culture- Hookah Pipe, turban, peacock fan
  • Diaries of Lady Montagu- Harem women in colourful clothes, men make them sexual fantasies
  • Ferriol engravings of Eastern culture, Arabian Nights (1704)

Imperialism

  • Moral superiority of the West- White Man's Burden to civilise Orient
  • Said argues the West attempt to gain domiance over Orient though cultural understanding
  • Commissioned by Napoleon's sister - symbol of Imperial expansion
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Manet 'Olympia' (1863)

Real Woman

  • Previous nudes had been removed from reality e.g. Cabanel, Olympia a real women- Victorie Meurent - would have been recognisable to upper class men
  • Olympia call name for prostiutes, lacks large hips, challenges view and covers self
  • Slipper and ribbion - naked, cat symbol of infedelity and chat sound like chatte (vagina)

Response

  • Salon more lenient, in Salon des Refuses, caused public uproar, men accused
  • Mantaz: 'wretched little woman', called skinny and dirty, style 'childish and unskilled'
  • Manet upset: 'they are raining insults on me', had to be moved and have 2 policemen

Modernity

  • Visible brushwork - quick changing Paris, looking at modern life - Baudelaire and Coutre 
  • Attention to art making, flat, bright colours against dark background - Spanish influences
  • Pornographic Japanese shunga print - cheap and easy to collect, graphical
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Gaugin 'Nevermore' (1897)

Unconventional

  • 15 y/o mistress, less sexualised, not confident with arms crossed - protective
  • Melancholy and distant, cries, forms atstracted, right hip emphasies (ref. to childbirth)
  • Mystery with women in back - could represent death, as Cyprus trees and raven do

Influences

  • Tahiti- 'long lost barbarian luxury', Pahura's child died, pre-empted in The Nativity
  • Daughter Aline also died that year, Gaugin had tried to kill himself, pain of syphilis
  • Nevermore and raven - Poe's poetry, man driven insane by raven after lover's death

Techniques

  • Post-Impressionist - non-nautralistic, use of synthetism, more flat/decorative
  • Flat, freize-like, cloissionism - Bernard showing his stained glass in Brittany
  • Abstracted colours, influence of Japanese and Tahitian design in patterns and silhouettes
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