Framing can define status
- Foregrounding
- Using right (dominant) position
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Lighting
Lighting creates different emotions and effects
Low key- creates shadows and contrasts (chiaroscuro), mystery,danger + secrecy,shadows can enhance isolation.
Light sources- conventional lighting used the 3 point system (key,fill,back)
- using light from one source can create various emotions and moods
- used to focus on objects or characters
Lighting effects
- Over head lighting: Hard
- Sidelighting: Hard
- Backlighting: Soft
- Underlighting: Soft
- Front lighting: Soft
- Hard lighting throws defined shadows + creates sharp edges + textures
- Soft lighting is more defused and romantic
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Sound
Sound
Diegetic- sound within the film world
Nondiegetic- sound outside the film world, Music, Narration
Split sound into 3 areas
Dialogue- language,status,accents
Sound effects- tone, echo, point of view
Music- dramatic effect
+ Contrapuntal sound- contrast between what we see and hear
Sound bridges- Continuity from one scene to the next
Silence- Can create fear, loss, isolation
- Sounds fade out, fade up or fase into one another
- Silence can create a dramatic effect Colour
Colour effects from lighting can reflect inner emotions of a character
Can add mood to a location
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Editing
Editing forms a specific language by juxtaposing (placing together) images + makes sense of time and space in narratives. Audience automatically read editing.
Transitions
Fade in- usually from a black screen, intro to a scene
Fade out- Fade to black, signifys an end
Wipe- One image wipes another across the screen, over taking it
Dissolve- One image fades into another signifying time passing
Pace
Editing- can create a frantic/calm mood
Quick cuts- can create confusion or excitement,panic, urgency
Long takes- relaxing or happy, exploring
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Editing + Cinematography
Editing + Cinematography Editing works with cam work to reveal direct attention to or study elements of a film. E.g. A cutaway to a Close up on an object may be significant or symbolic.
Conclusion
By using various techniques of editing narratives are constructed and interpreted by audiences
By using tech codes and conventions editing has developed into a recognisable language in itself.
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Mis-en-scene
Mis-en-scene: 'All in the scene'
Definition: a series of elements of film construction that can be seen within the frame of the individual shot
Includes:
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