- Scalic, conjunct(bars 35-36) and triadic - Semiquave rising scalic figure followed by falling thirds (bars 13-14)
- Harmonically charged melodic line
- 5 principle motifs subject to fortspinnung and, thus, varied and detailed manipulation; e.g. free inversion:
Sequence - solo violin bars 13-18 is based on a two-bar sequemce, and bars 18-22 a one bar sequence
Free Inversion (1st flute bar 21)
Repetition (bars 7-12 are repetition of bars1-6
- Use of sequences
- Some disjunct leaps
- Even the complex virtuoso violin solos are based entirely on arpeggios and scales and are diatonic throughout (but note the use of the melodic minor scale patters in bars 188 and 193-194
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