J. Buckley: 'Grace' 3.0 / 5 based on 1 rating ? MusicJeff BuckleyGCSEEdexcel Created by: Lucy SCreated on: 03-04-13 15:01 Context Jeff Buckley was born in California, in 1966. Style referred to as folk rock. ‘Grace’ comes from album Grace, released in 1994. A few other tracks on the album are ‘Hallelujah’, ‘Last Goodbye’ and ‘Eternal Life’. ‘Grace’ is a rock ballad. Buckley only completed 1 album. Jeff Buckley drowned in a swimming accident, aged 29. 1 of 10 Instrumentation Buckley is accompanied by guitars, bass guitar, synthesiser, strings & drum kit. The guitar part in the score is printed in tab, which shows the finger positions of each note. The guitars use ‘drop D tuning' which means that the lowest string is tuned down from E to D. Voice uses falsetto at times. 2 of 10 Texture Mainly melody dominated homophony but occasionally polyphonic (i.e. the voices in the middle 8 section.) Drums & guitars accompany Buckley (vocals) throughout most of the song. Synthesiser & strings drop in & out of music. They are used to add effects or vary the texture. Texture thickens towards end of song, especially in the coda. 3 of 10 Use of Technology Modulation on the synthesiser at the start of the song. Distortion & flanging on the guitars, which help to intensify the sound in the coda. Overdubbing on the guitar parts, which creates a thicker sound, & overdubbing of vocal parts in bridge. EQ in the final verse, which is used to remove the lower frequencies of Buckley’s voice. 4 of 10 Tonality E minor, although often ambiguous. (i.e. introduction focuses on D, so key of E minor only obvious halfway through verse 1.) 5 of 10 Harmony Chromatic chords. – Sometimes move in parallel motion (by semitone steps, e.g. F-Em-E♭ in the chorus.) Some dissonant harmonies, particularly in the chorus. 6 of 10 Structure Intro (Instrumental) Verse 1 (Voice) Chorus 1 (Voice) Intro (Instrumental) Verse 2 (Voice) Chorus 2 (Voice) Bridge (Voice) Intro (Instrumental) Verse 3 (Voice) Coda (Voice) 7 of 10 Melody Vocal part has improvised quality. Wide vocal range of over 2 octaves. Most of the vocal phrases are falling, reflecting melancholy mood of song. Frequent ornamentation in melody line, with glissandos (slides) between various notes (indicated in score by diagonal line). Most of word-setting is syllabic. (Although some melismas on words such as ‘love’ & ‘fire’ for emphasis). Vocalisation (wordless singing) in bridge, where Buckley uses falsetto. Word painting: ‘Cries’ set to falling 5th, which sounds like crying. Very thick texture built up for ‘drown my name’. 8 of 10 Rhythm Bass drum plays on beats 1 & 3. Snare drum accents the backbeats (beats 2 & 4). Frequent syncopation in vocal melody (which is rhythmically free) & also in bass line. Cross rhythms are created through the use of two-against-three rhythms (quavers against dotted quavers). 9 of 10 Metre 12/8 (four dotted-crotchet beats per bar). 10 of 10
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