Industrial Architecture

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Gropius' 'Bauhaus School at Dessau' (1925-6)

Description

  • 'Composition is logical', 2 overlapping Ls, 3 wings, residences and shop, bridge connects
  • Central range with attachments- varying heights, inset columns supporting floors
  • Furniature unified of tubular steel, 'vast cage of light', grid-like

Materials/ methods

  • Light fittings- Kraels and Brandt, Breduer using tubular steel, chains and pulleys
  • Undisguised materials, whitewashed walls create unity/ flow

Context

  • Bauhaus school founded under Gropius in Weimar 1919, moved to Dessau 1925
  • 'For the needs of the people, not the need for luxury', haubau- house of bulding
  • Gropius: 'the artist...breathes soul into the lifeless production of the machine'
  • Clean/ hygenic forms due to Gropius' experiences of trench warfare in WW1
  • Gestamkunstwerk- total unity of work
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Holden 'Arnos Grove Underground Station' (1932)

Description

  • Cross shaped, single story, excessively glazed- light, drum shaped hall, 8 clerestory windows
  • Concrete roof and etablture, blue rubbon and glass tiles, illuminated glass sign
  • 2 wide entrance days, street lvel, stepped stairwell, platforms have cantilevered shelter

Materials

  • Modern European style- brick, glass, reinforced concrete, geometric shapes
  • 2.5 passangers a year, 'planned for a specific purpose', retrained in decoration

Context

  • London's most iconic station, commissioned by Electric and Underground Railway Commission of London, one of seven for Holden
  • Pick managed, recently reformed London's lettering
  • Glancey: 'truely...Gestamkunstwek, a total and entire work of art'
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Behren 'AEG Turbine Factory' (1909-10)

Description

  • Large, monumental scale, 207m x 96m, 3 floors, side glazing and projecting window at front
  • Rusticated corner butress, rounded edges, seem massive but actually thin
  • Arcs to represent classical temple, aimed to glorify power of industry

Material

  • Glass and steel with outer columnar frame and glass surface
  • Egyptian/ Greek temples- pedimented facade, free from structural restrains, uses machine classicsm by looking at classical order to create space- functional ultisation of space

Context

  • AEG bringing Germany industry to international level
  • More about unity as a whole rather than orders of architecture, Le Corbusier: 'integral archtectonic creations of our time', artist transforming bruality of machine into dignity
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