Haydn mvt 3

Minuet:

Section A,  Section B (+A)

Trio:

Section A Section B (+A)

Minuet:

Section A Section B (+A)

-begins in D major

-homophonic throughout

-anacrusis leading into bar 1

-bar 1: I IV

-bar 1: tonic pedal

-bar 6-7: leap of a 7th

-bar 8: A repeated

-bar 11: lighter homophonic texture

-bar 15-16: perfect cadence

-bar 17: D major

-bar 17: hemiola

-bar 19: B minor

-bar 19-20: perfect cadence

-bar 25: A major

-bar 26: tonic pedal 

-bar 28: Neaopolitan 6th chord

-bar 30: D major

-bar 33: V7 chords

-bar 35: tonic pedal to reinforce key

-bar 40-41: leap of a 10th

-bar 41-42: perfect cadence

-bar 44: codetta, in G major

-bar 47: D major (dominant pedal)

-bar 49-end of trio: V I

-bar 53: D minor

-bar 55: tertiary modulation to Bb major

-less regular phrasing than the minuet

-bar 59-60: V7-I

-bar 62: G minor

-bar 63-64: V-I

-bar 64: F major

-contrapuntal

-bar 65: F minor (fragmentation of x and y)

-bar 67: C minor

-bar 69: G minor

-bar 72: G major, feels like 6/8 (grouped in 3s)

-bar 75: C minor

-bar 77-78: imperfect cadence (II7-V) and in Bb major

-bar 81: pedal

-bar 84: rising sequence

-bar 86: Eb major

-bar 88: G minor

-bar 91: C minor

-bar 92-93: perfect cadence Ic-V-I (Bb major)

-x grows (wider range)

-bar 97: D major

-bar 99: German augmented 6th

-bar 99-100: phrygian cadence (IVb-V)