Pages in this set

Page 1

Preview of page 1
Piece:
Ohime
se
tanto
amate

Composer:
Claudio
Monteverdi



Melody

Point
Bar
number

Syllabic


Melisma


Voice:
conjunct
movement


Voice:
repeated
notes
Near
the
end

Voice:
small
leaps
(descending
3rds)
`ohimé'
bar
1



Section
1:
Ohime
is
usually
sung
twice
in


succession
with
2
descending
3rds
in


sequence



The
second
step
is…

Page 2

Preview of page 2
justified
by
highly
charged
text




Tonality

Point
Bar
number

Functional
tonality
meaning:


Emphasis
on
chords
I
and
V

Diatonic
scales
-
major
and
minor

`

Dorian
mode
of
G


The
composer
blurred
the
mode
by


altering
E
nats
to
E
flats
and
F
nats
to

F
sharps

False
relations
Section…

Page 3

Preview of page 3
voices
w/
antiphony
in
in
the
final

`havrete
mill'e'
section

Part
numbers:

part
wrting
is
little
used



because
it
is
not
differentiated
sharply

enough
from
5
part/3
part
writing

Part
relatioships:
Voice
often
share
the
First
hearing
of
`se
tanto
amate'

same
rhythm


e.g.
chordal
texture


Part
relationships:
Parts
sometimes…

Page 4

Preview of page 4
Instrumentation

Point
Bar
number


Canto


Italian
for
`song'

Soprano
range

Middle
C
to
G

A
12th
above

Quinto:
Bars
10-14

Italian
for
5th
part

More
2nd
soprano
than
alto/contralto

Crosses
canto
in
bars
10-14
­
when

previous
idea
was
sung
by
canto

Range
of
D
to
F

A
10th
above…

Comments

No comments have yet been made

Similar Music resources:

See all Music resources »See all resources »