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Handel- And the Glory of the
Lord
STRUCTURE TONALITY TEMPO/RHYTHM
Based on 4 motifs A Major Allegro
which are weaved Modulates to E 3/4 but feels 2/4:
together Major twice and B this is called
throughout the Major once hemiola
piece
INSTRUMENTION
TEXTURE Full Baroque Orchestra:
DYNAMICS
Mainly Oboes, bassoons, trumpets,
Terraced
homophonic strings, basso continuo and
harpsichords.
HARMONY RELEASE VOCALS
Closes with a plagal D? Written for a SATB
cadence In 1741 choir…read more

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Mozart- Symphony no 40 in G
minor
STRUCTURE TEXTURE
Hopophonic HARMONY
Sonata form
Simple and clear
1) Exposition
In development
2) Development DYNAMICS chromatic
3) Recapitulation Begins piano, which is harmonies are
unusual for a Classical used
symphony
Transition is forte all the
RELEASED? way through with sfz TONALITY
In 1788 G minor
INSTRUMENTATION
No percussion
Only French horn is brass section…read more

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Chopin- Prelude no 15 in D flat
Major
TONALITY TEXTURE
STRUCTURE SECTION A: D flat Homophonic
Ternary form Major Raindrop motif is
SECTION B: C sharp doubled in octaves
minor
DYNAMICS
TEMPO
SECTION A: piano
Slow and held back
SECTION B: crescendo and
Rituendo at end
diminuendos used. Builds up to FF.
CODA: forte then diminuendos to
piano
HARMONY
Rich harmony used
INSTRUMENTATIO
Melody RELEASED
N
harmonised in 6ths ?
Piano
1815…read more

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