Corelli 1689: Trio Sonata in D- Melody, Texture & Harmony
- Created by: Rachie S
- Created on: 08-02-17 21:31
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- Corelli 1689: Trio Sonata in D: Melody, Texture & Harmony
- MDP MDR: Melody
- Motifs Repeated
- Motif x: 3 notes based on rising 3rds
- Bars: 1, 3, 11
- Inverted version in bars 5 & 6
- Motif shown in a rising sequence, motif x with added passing notes
- Bars 1-2
- Motifs are used within imitative lines
- Bars 1-4 & 28-30, in violins 1&2
- Motif x: 3 notes based on rising 3rds
- Diatonic?
- Highly, the melody is presented with the tonic then dominant
- Dominant (A) at section B
- Tonic (D) at section A
- Chromaticisms from modulations
- G# in bar 4 is a brief A modulation
- Modulating circle of fifths bars 27-34
- Highly, the melody is presented with the tonic then dominant
- Phrases
- Initial entries are 2 bars long
- The actual phrases are long and irregular
- Section A is divided into 2 main irregular phrases
- Bars 1-11 and bars 11-19
- Section A is divided into 2 main irregular phrases
- Motion
- Mostly step-wise with small leaps of a 3rd
- UntHowever, bar 7 has an octave leap in violin 1itled
- Mostly step-wise with small leaps of a 3rd
- Devices
- Falling sequential repetition, bars 15-18
- Range
- Upper reaches aren't used
- Violone has a 2 octave range from bottom D
- Violin goes just over 2 octaves, from middle C# to D above the stave
- Upper reaches aren't used
- Motifs Repeated
- F BARS: Texture
- Full?
- Basic Texture
- Accompaniment
- Relationships
- Specific Techniques
- CH DD TFD: Harmony
- Cadences
- Harmonic Rhythm
- Diatonic/ Chromatic?
- Dissonant?
- Triadic Harmony?
- Functional Harmony?
- Devices
- MDP MDR: Melody
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