Set works
- Created by: Jessemarie
- Created on: 25-01-15 11:19
View mindmap
- Set works
- Faure
- Structure
- Modified strophic
- Mirrors content of poem
- One bar of intro
- Irregular phrase lengths
- Timbre
- Voice range of 11th
- Piano mostly quavers
- Bass line in octaves
- Piano keeps mid-range so voice has floor
- Sung french
- High notes on last sylables
- Tonality
- C min
- perf cadence at end esatblishes key
- Imp cadences at phrase ends
- Bar 14-15 hint Eb (relative minor)
- Transient modulations through F min, Bb min, Ab maj
- modal inflections and frequent accidentals
- Melody
- Mainly sylabic
- Mainly conjunct
- Defining leaps on every phrase
- Expressive chromatisms
- Appogiatura bars 4 and 6
- Auxilary notes 5 and 10
- Rhythm
- Simple triple metre
- Quavers in accompaniment
- Slow moving bass
- Cross rhythms
- Structure
- Bach
- Timbre
- Concertina- solo violins and flutes
- Ripeano- strings
- Continuo- harpsichord
- Chamber ensemble
- Texture
- Page 1- 3 instruments play bass part
- Hetrophonic texture at start
- Lighter texture during episodes
- 8 part counterpoint 225-234
- Homophonic usually
- bar 1-3 inverted dominant pedal
- singualr bars of monophony
- Hemiola signals structural change
- Polyphony 134-157
- immitation 196-208
- walking bass 165-184
- Antiphony 257-262
- Structure
- Concerto Grosso
- Episodes and riternellos
- Opens G maj (rit)
- Bar 15- D maj
- Bar 41- C maj
- Bar 46- G
- Bar 83- C-G
- 137- Em
- NO CODA
- Harmony
- Pedal notes
- Dom 7ths
- 4-3 suspension 59-70
- 6-7 suspension 44-47
- Diatonic
- Neapolitan 6th 155 and 337
- Dim 7ths
- Rhythm
- 3/8
- Rhythmic patterns established at start (typical)
- Sycopation
- Hemiola (79-80)
- Trills (162, 164)
- Melody
- 4 motifs, fortspinnung
- Conjunct fig (35-36
- Closing fig (76-83
- bar 1-6 appegio
- 3 note scalic figures
- Timbre
- Poulenc
- Timbre
- Horn, trumpet, trombone
- Trumpet has main melodic interest
- Large intervals, extremes in range
- Tonality
- tonic- G maj
- D-G-Bb (unrelated)
- Frequently changes to unrelated keys
- Added notes weaken sense of kjey
- Texture
- Mainly MDH
- Doubling in 6ths for 9 bars
- Monophony/ antiphony-> 22
- Last bar homorhythmic and hetrophonic
- Timbre
- Mozart
- Forte piano
- Sonata: exosition, repeat, development, recapiltulation, bridge, 2nd subj
- Tonality
- Functional harmony
- Bb maj-> Fmaj-> Gmin-> Fm (unrelated)-> Cmin-> Gmin
- Perf cadences signalled by pedal note
- Perf- 9-10, Imp 21-22, Int 83-84
- Harmony
- Dom 7th
- Circle of 5ths
- Appogiatura bar 2
- Double appogiatura bar 4
- Tavener
- Structure
- Strophic
- 2 stanzas reflecting structure of poem 'songs of innocence
- augmentation in last bar
- each stanza has a ABAv structure
- Texture
- Bar 1 monophonic
- Bar 2 homophnic and homorythmic
- Bar 3 and 4 monophonic
- Bar 5 and 6 homophonic and homorhthmic
- bar 7-10 homo and chordal
- 11-14 octaves
- 15-16 homophony, 17-20 4 part harmony
- Timbre
- SATB
- Bass leap of a 9th, but small ranges
- S and A nearly same notes
- Accapella
- Melody
- Retrograde inversions are exact
- Sylabic
- Conjunct
- Tonality
- G MAJ TONIC
- Bitonal- alto sings Eb
- V1 Em V2 Gmaj- Em
- Untitled
- Rhythm
- Free time sig
- Simple duple/ quadruple
- Emphasis on 5th sylable
- last 4 bars rit
- Structure
- Faure
Similar Music resources:
Teacher recommended
Comments
No comments have yet been made