Schumann: Tonality
- Created by: EleishaAbbie
- Created on: 23-02-15 09:29
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- Schumann: Tonality
- No.1
- G major
- Modulation to E minor
- Bar 12
- Resolution to tonic is surprisingly avoided.
- No. 3
- B minor
- Modulation to G major
- Bars 9-10
- Emphatic dominant preparation
- Bars 15-16
- No. 4
- Key wavers between E minor and G major
- E minor is suggested by initial 1-Vb progression at the start
- Chromatic lower parts blur the sense of key
- G major is established in bars 3-4
- Continues to imperfect cadence
- Bar 8
- Continues to imperfect cadence
- 'Schneller' (faster) section starts at E minor
- Confirms with cadence in bar 9
- Continues to C major in bar 12
- Accented B in bar 12 wrenches the key back towards E minor
- Continues to C major in bar 12
- Confirms with cadence in bar 9
- Transient Modulations
- Via secondary dominants
- A minor in bars 21-22
- B minor in bars 23-24
- Via secondary dominants
- No.1
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