SAMBA EM PRELUDIO

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  • SAMBA EM PRELUDIO
    • TEXTURE
      • Mainly homophony
      • Intro monophony- solo bass
      • Voice and Bass duet is polyphonic and combines melodies
    • TONALITY AND HARMONY
      • B minor - typical Bossa Nova
      • Complex tonal harmonies show influence of jazz
        • Chord extensions - 7ths, 9ths, 11ths and 13ths added to triads
        • Dimished 7th and flattend 5th chord
        • Chromatic chords C and F major
      • Ends of sections are either chord v or V-I perfect cadence
      • Chord sometimes create descending chromatic movement in the bass line
    • RHYTHM, METRE AND TEMPO
      • 4/4 simple quadruple time
      • Tempo almost doubles and feels like 2/2 in Bossa Nova dotted crotchet and quaver pairs
        • Varied by syncopation and ties
      • Extensive use of rubato, hard to distinguish pulse
      • Syncopation - especially at start of phrases
    • STRUCTURE
    • MELODY, ACCOMPANY AND THEMES
      • Low vocal melody spans a minor 10th using chest register
      • Melody A
        • Disjunct, first heard in vocals and later in bass
      • Syllabic word setting
      • Melody B
        • Conjunct, heard in verse 2 vocals and vocals in duet
      • Acoustic bass guitar accompanies with strummed chords and picked melodies

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