Recording and Mixing Scenario 5
- Created by: abidaniels
- Created on: 14-03-18 10:53
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- Recording and Mixing Scenario 5
- 1950s recordings
- Mono
- Analogue tape
- no visual
- ribbon/tube microphones
- softly clipped the sound
- all instruments recorded in one space
- Modern Day Recording
- stereo
- condenser and dynamic microphones
- unlimited multitracks
- DAW offers visual display
- Digital Recordings
- bit depth of 16-bit
- the ADC uses a sample rate of 44.1 kHz
- dither applied to randomise quantisation error
- the sample rate must be double the Nyquist frequency
- highest
- Digital Recordings in depth
- dither is a small amount of white noise that randomises quantisation error
- Aliasing is heard as distortion and occurs when the sampling rate is too low
- Aliasing can be fixed by putting an anti-aliasing filter on the sound to restrict the bandwidth of an analogue signal
- hi-fi recordings will have a 44.1kHz sample rate and a 16 bit bit depth
- 1950s recordings
- Digital Recordings in depth
- dither is a small amount of white noise that randomises quantisation error
- Aliasing is heard as distortion and occurs when the sampling rate is too low
- Aliasing can be fixed by putting an anti-aliasing filter on the sound to restrict the bandwidth of an analogue signal
- hi-fi recordings will have a 44.1kHz sample rate and a 16 bit bit depth
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