Beethoven

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  • Pathetique
    • Dynamics
      • Just listen to dynamics (it changes too often to memorise)
      • Intro has accents (fp) and sforzandos (bars 1-4) for drama
      • Lots of switches between p and ff and crescendos
    • Instruments
      • Fortepiano, less dynamics and more strident tone
    • Pitch
      • Bar 10- rapidly descending chromatic scale covers 2.5 8ves)
      • Rocket theme covers 2 8ves)
      • Monophonic transition to recapitulation covers 3 8ves that are low.
    • Rhythm
      • Intro with dotted rhythms is dramatic
      • Intro sweet Eb maj section has constant LH semiquavers
      • Syncopation on rising rocket theme
      • Development section: between rocket themes is straight crotchet version of dotted intro theme
    • Melody
      • Scalic filigree (eg bar 4)
      • Rapid descending chromatic scale (bar 10) with wide range of 2.5 8ves
      • Bars 1-3 are sequences
      • Melody in 8ves (sweet intro Eb major)
      • Transitions between first and second subject is chromatically ascending murky bass
      • Between exposition repeat, the rocket theme returns in major key
      • Development section has chromatically descending tremelos from Bb to Ab
      • Chromatic broken chords in jangly development section
      • Monophonic transition section is a sequence
      • The coda is the same as into but in different key
    • Harmony
      • C Minor
      • Modulation to related key Eb major (eg bar 5, the start of the sweet intro)
      • Modulation to unrelated key Eb minor (eg second subject of exposition bar 51)
      • Diminished 7ths (bar 2)
      • Perfect cadence between and ending all sections
      • Murky bass in theme a exposition
      • Development section in G minor
    • Tempo
      • Intro is grave
        • Time sig is C (4 crotchets)
      • Exposition is allegro di molto e con brio
        • Time sig is C with line through it (2 minims)
    • Sound/Silence
      • Intro has lots of rests (typical romantic) for drama
      • Coda has same grave intro but missing the first chord of each bar. This use of silence and rests highlights the dramatic tension
    • Texture
      • Homophonic introduction
      • Monophonic leading into recapitulation

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