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  • How has Hofesh Shechter developed Contemporary dance historically, socially, and culturally?
    • Collaborator
      • Worked with Nederlands Dans Theatre (2016)
        • Different country and styles -  adds to his influences.
        • Dutch dance company based in Amsterdam
          • Creates new audiences for Shechters works
      • Jasmine Vardimon (also from israel, now working in london)
        • Bringing culture to britain
      • Different choreographers internationally
      • Antony Gormley (survivor 2012) = first collaboration with an artist
        • first piece he focused on his music, live band with 30 musicians
      • Musicians
        • first piece he focused on his music, live band with 30 musicians
        • Creating his own music
        • might attract musicians to come and view his work due to the high influence of the music.
          • New audiences.
    • Exposure to wider audience
      • Choreographed opening dance scene 'Maxxies dance' Episode 1, season 2 of skins (channel 4)
        • Mainstream television
          • More publicity, more people seeing his work
            • TV production, very popular with teenagers and young people at the time
        • TV production, very popular with teenagers and young people at the time
      • Theatre and film productions
        • The Arsonists 2007, Saint Juan 2007 and Moretown 2006
        • Choreographer for new production of Fiddler on the Roof 2016
          • Different dance styles used = theatre and film, audiences that wouldnt normally watch Hofesh
            • New fans, more publicity, drawing attention to his style and contemporary dance.
            • The Arsonists 2007, Saint Juan 2007 and Moretown 2006
      • Choreographed on Ballet companies
        • Royal Ballet 2015 and Ballet Basel 2016
      • Links with international choreographers
        • His work is viewed in other places, gaining more viewers
        • He can influence different audience to attract more people to contemporary
    • Political Statements
      • Born in Jerusalem in 1975 during a tense political environment
        • High military influence in the area at the time
        • Bringing his personal experiences into his work, showing Britain an insight into a different culture and different circumstances that we havent encountered.
      • Usually a theme behind his works
        • SUN 2013 - Idea of society copying eachother
        • Political mother 2010 - idea of society being controlled by the government/powerful leaders.
        • Educating audiences and causing them to think
    • Education system
      • Workshops in schools and colleges with Hofesh Shechter Company
        • Countinuously educating ks4,5 and higher
      • associate choreographer at the Place London (London contemporary dance school)
      • Worked with graduate companies such as EDge
        • 2005 and 20013
          • Linked to LCDS
      • Influencing young choreographers nd providing different movement styles for them to explore.
        • countinuously developing movement into the british dance scene.
    • Own movement language
      • Studied at Jerusalem academy of music and dance at age 15
        • contemporary (graham, limon and cunningham)
          • traditional contemporary techniques
        • classical ballet
          • Preserving traditional styles
        • Improvisation
          • evident in choreographic proccess
      • Studied martial arts
        • merging fighting with dance techniques
          • access different types of dancers
      • his own culture and upbringing
        • new insight for Britain to experience
      • Studied Batsheva and Gaga technique which we see in his works
        • relatively new to British contemporary dance scene - exciting and intriguing for British audiences.
  • Different dance styles used = theatre and film, audiences that wouldnt normally watch Hofesh
    • New fans, more publicity, drawing attention to his style and contemporary dance.
  • Ballet audiences seeing new styles
    • More publicity and viewers of his work.
    • Royal Ballet 2015 and Ballet Basel 2016

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