Haydn Symphony in D minor, 'Lamentatione': Movement I
- Created by: Alex Crook
- Created on: 10-05-14 16:10
View mindmap
- Haydn Symphony No.26 in D minor, 'Lamentatione' Movement I
- From 'Sturm and Drang' movement
- Begins in a minor key
- Diminshed 7th chords
- Rhythmic tension - syncopated rhythms with on-beat rhythms
- Performance forces & handling
- Strings
- Some double stopping in violins
- All arco
- Oboes
- Mostly double violins in unison or octaves
- Usually simplified violin parts
- Bassoon
- Plays when oboes play
- Doubles string bass line
- Horns
- Lacked valves - restricted note playing
- Strings
- Dynamics
- Terraced dynamics
- Piano can create echo effect
- Texture
- Number of parts
- Doubling - number of instrumental lines exceeds number of parts
- Start - 2 part texture
- Elsewhere - 3 or 4 part texture
- Type of texture
- Mostly melody-dominated homophony
- Bars 9-12 - homorhythmic
- Start - 2 part texture - contrapuntal
- Number of parts
- Structure
- Sonata form
- Exposition
- Tonic key (D min)
- 1st subject (bars 1-16)
- Relative major (F maj)
- 2nd subject (bars 17-44)
- Tonic key (D min)
- Development
- Based on 1st subject with
- elements of the 2nd
- Based on 1st subject with
- Recapitulation
- Mostly a repeat of the exposition
- but 2nd subject is in relative tonic
- major (d maj)
- but 2nd subject is in relative tonic
- Mostly a repeat of the exposition
- Exposition
- Sonata form
- Tonality
- Uses maj and min scales - dependant on functional harmony
- Change from D min to F maj in exposition - conventional
- Development uses F min (from exposition), G min (subdominant min) and A min (dominant min)
- Recapitulation uses D maj (tonic maj) for repeat of 2nd subject
- Harmony
- Functional
- I and V(7) - most important
- Circle of 5th (bar 57-65) - just after start of development
- Some diminished 7th chords
- Suspensions - create harmonic tension
- Double suspension - end of 2nd subject
- Triple suspension - in the middle of 2nd subject
- Melody
- 1st subject - disjunct
- 2nd subject - more conjuct (largest leap - perfect 5th)
- From 'Sturm and Drang' movement
Comments
No comments have yet been made