Function of the Witches in Macbeth

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  • Function of the Witches
    • Supernatural
      • "Thrice to thine, and thrice to mine" A1S3
        • Parallelism
          • Easier to process and remember; chanting
            • Hypnotic tone
          • Technique used in proverbs and persuasion
            • Persuades audience and M that they are speaking the truth
          • Emphasise divide bw SN and humans and truth and lies
        • Rhyming couplet
          • Easier to process and remember; chanting
            • Hypnotic tone
          • Emphasis divide bw SN and nobility
      • In thunder, lightning or in rain? A1S1
        • Pathetic fallacy
          • Control over macrocosm; must have control over microcosm
            • Doomed from start; bad weather as result of regicide?
          • Foreshadows large influence over Macbeth
            • Doomed from start; bad weather as result of regicide?
        • Trochaic tetrameter
          • Emphasise divide between nobility and SN as they speak in iambic pentameter
            • Two sides of M's conscience
        • Reference to 3; tripod
    • Plot
      • "A drum, a drum;/ Macbeth doth come" A1,S3
        • First time Macbeth is on stage is with the Witches.
          • Foreshadows link bw M and SN
    • Foreshadow LM
      • Come, you spirits, that tend on mortal thoughts A1S5
        • Devalues worth of woman; power comes from SN; impossible to come from within
        • Ambiguous link to SN
          • If she was connected it would reinforce SN power
          • If not, it would prove human and SN power are equal as she influenced him as much as the witches.
            • Only power of witches is equivocation and manipulation.
            • Witchess are in the first scene= more influence
              • Catalyst for M's actions as LM's presence hadn't convinced him to become King whereas the entrance of the witches did
          • Facilitates question of was it fate, the SN or manipulation that led to M killing Duncan.
    • Foils
      • Two truths are told/ As happy prologues to the swelling act/ Of the imperial theme. A1S3
        • Semantic field of plays.
          • Dramatic irony
          • Metathearte
            • Boundary bw thearte and life mirrors that bw the human world and the SN
              • Audience questions to what extent we play a part in our lives.
                • S wanted us to ask ourselves "who am i pretending to be?"
                  • Selfhood develops from who we are not.
                    • Why M was driven by what he didn't have; kingship.
            • Audience become aware they're watching a play.
              • They realise the immensity of M's thoughts
      • The instruments of darkness tell us truths;/ Win us with honest trifles, to betray's/ In deepest consequence.A1S3
        • Honest and opposing evil
          • S didn't want to portray B as the murderer like in Holinshed's chronicles. James 1 traced lineage back to B.
      • What, can the devil speak true?A1S3
        • Devil= "father of lies" in bible.
          • Ironic
          • Paradox
            • Links to AvR
        • Rhetorical Question
          • Mocking tone; undervaluing the supernatural.
            • James 1 mirrored by Banquo; audience in awe of them both.
      • Can't blame W on M's mind because of B's presence.
        • B=voice of caution and reliable (related to King and dislike of SN)
          • Trustworthiness of B emphasises M's insanity.
    • Effect on Macbeth
      • "I'll drain him dry as hay" A1S3
        • Foreshadow M's physical mental and spiritual draining
        • Links to effect on macrocosm
        • Simile
          • Links to A vs R
            • Manipulate M to be like a king-never be a true king because he wasn't chosen by God
      • Link to evil before meeting
        • Foreshadow close link bw M and SN
      • M behaves differently with Witches
        • Foreshadow personality change when he becomes King
          • Lots of asides after meeting with SN; appear unstable
    • Engage audience

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