Function of Lady Macbeth

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  • Lady Macbeth Function
    • Tell M's story
      • Yes
        • They met me in the day of success A1S5
          • First words are those of her husband
            • LM's success and happiness stem from M
              • Not because of his personality, but because she was powerless without her husband
            • Power and ambition stem from M
      • No
        • Glamis thou art, and Cawdor, and shalt be/ What thou art promis'd A1S5
          • Letter followed by soliloquy
            • LM dominant in conversation
              • LM has more power; against gender roles
                • my dearest partner of greatness A1S5
            • LM has more power; against gender roles
              • my dearest partner of greatness A1S5
    • SN
      • Glamis, thou art, and Cawdor, and shalt be/ What thou art promis'd A1S5
        • 2nd words she says are that of the witches
          • 4th witch or deeply influenced by them/ prophecies
            • Audience start to build a hierachry of influencers over LM
              • M first and then witches
      • Association with SN goes aganst gender roles
        • Yes
          • Violates feminine qualities of passivity and subservience by adhering to gothic conventions
            • role of women at the time was restricted as had to plead for spirits help
            • Lexical field of Machiavellianism
              • make thick my blood A1S5
        • No
          • Her power only comes from the SN; women can't be powerful on their own
        • Come, you spirits/ That tend on mortal thoughts, unsex me here A1S5
          • Witches and LM blur gender boundaries
            • you should be women/ And yet your beards forbid me to interpret/ That you are so-Banquo A1S3
              • SN links to masculinity
                • LM in pursuit of one to be  closer to the other.
      • I may pour my spirits in thine ear A1S5
        • LM=4th witch
        • Personal pronouns and LM subject
          • LM in control; possessing M?
        • my spirits
          • Homograph and double entendre
            • SN
            • equivocation
            • poison/ alcohol
              • Foreshadows M's addiction to murder/ insentience
                • From this very moment,/ The firstlings of my heart shall be/ The firstlings of my hand A4S1
        • LM possessed by prophecies?
    • Power dynamic with M
    • Gender Roles
      • Association with SN goes aganst gender roles
        • Yes
          • Violates feminine qualities of passivity and subservience by adhering to gothic conventions
            • role of women at the time was restricted as had to plead for spirits help
            • Lexical field of Machiavellianism
              • make thick my blood A1S5
        • No
          • Her power only comes from the SN; women can't be powerful on their own
        • Come, you spirits/ That tend on mortal thoughts, unsex me here A1S5
          • Witches and LM blur gender boundaries
            • you should be women/ And yet your beards forbid me to interpret/ That you are so-Banquo A1S3
              • SN links to masculinity
                • LM in pursuit of one to be  closer to the other.
      • dash'd the brains out, had I so sworn/ As you have done to this A1S7
        • Violent imagery distances audience from her
        • Metaphor
          • Baby represents femininity
        • unsex me here hasn't worked
      • LM opposes gender roles in marriage
        • too full o'th'milk of human kindness A1S5
          • Metaphor
            • Connotes with femininity, weakness, purity, nature and maternity
              • LM distancing herself from maternity due to trauma
              • Femininity=Links to disruption of the Great Chain of Being
          • Criticism of masculinity of brave soldier A1S2
            • shock audience
          • Direct juxtaposition
            • takemy milk for gall A1S5
              • Imperative
                • Hamartia of over-ambition shared by LM & M
                  • Laws of the universe and the natural order
                    • LM and M are too alike; like charges repel
                      • Foreshadows breakdown of marriage
      • Defiance of the Great Chain of Being
        • unsex me here A1S5
          • Irony
            • Embodies masculinty in order to defy GCB but by doing so is already defying the natural order in a different way
      • LM isolated; typical of gender roles
        • Aren't explicitly told of dead child
          • I have given **** A1S7
          • Becomes queen as compensation for being childless
          • Failed as M's wife by not providing a male heir
            • Prophecies tell her that she won't have children
              • Fate of women hide in fate of mens
            • After murder, M reborn
              • Metaphorical link for child she can't put on throne
                • Ironic that she gives birth to a tyrant by being masculine
        • Mental state positively correlates with M and LM's relationship
          • Be innocent of the knowledge, dearest chuck A3S2
    • AvR
      • LM's duplicitious nature
        • look like th' innocent flower,/But be the serpent under't
          • During gunpowder plot, James awarded medal of serpent hiding beneath flower.
            • Lower class audience might not get the reference
            • Dramatic irony
              • Audience aware of result of regicide
                • Know karma will put things right.
          • serpent
            • Connotations with serpent in genesis which tempts Eve to eat the forbidden fruit
              • Original sin
                • Like how humankind are sinners from birth, LM has always been a sinner
                  • Links to fate
                  • Agrees with interpretation that she's the 4th witch
                  • Lack of free will
              • Links to impact of disrupting the Great Chain Of Being/ going against will of God
              • Links to gender roles
                • Tempting M goes against her feminity as she is playing the role of the serpent and M is Eve
          • Double entendre
            • M being the serpent to kill D
            • LM being the serpent to manipulate M
        • First scene= A1S5     Last scene= A5S1
          • Direct juxtapositiion
            • A5S1
              • Out, damned spot; Out, I say! A5S1
                • sleep= innocence= antithesis of LM
                • Prose
                  • Only Shakespearean protagonist to die speaking in prose
                    • highlights insignificance
                  • Associated with lower class
                    • Socially/ appearance= top of GCB Spiritually/ reality= fallen towards hell
                      • Reached hell before death; immensity of regicide
                        • damned
                          • Connotes with hell,links to devil, blood is a stain on soul
                • Lines more fragmented
                  • Becoming fragments of herself
                • ! Imperatives more desperate
                • Foreshadows suicide
                  • Stain on soul from regicide and suicide
                    • Sanctity of life
                • Links to gothic genre and connotes with madness
              • The Thane of Fife had a wife. Where is she now?
                • Internal rhyme/ nursery rhyme
                  • Returned to childlike state
                    • Unsettling for audience
                • Open expression of guilt
        • Possesses two personalities= awake vs asleep
          • Appear and disappear based on conflicting morals
          • Awake
            • A little water clears us of this deed. A2S2
              • deed
                • Double meaning emulates double personality
          • Asleep (somnambulism)
            • Out damned spot A5S1
        • his fiend-like queen A5S9
          • Oxymoron
            • Sums up duplicitious nature
          • her last reference isn't even her name
            • highlights insignificance
        • Ironic that she promoted falseness
          • Consider it not so deeply. A2S2

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