MOTIFS OF THE MESSIAH
- Created by: Amber Gadd
- Created on: 07-04-13 12:53
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- Four Main Musical Ideas
- The first motif
- First sung by the altos
- In bars 11-14
- Most of this phrase is syllabic
- - each syllable has its own note
- First sung by the altos
- The second motif
- Introduced by the tenors
- In bars 17-20
- The words 'be revealed' are spread over a DESCENDING SEQUENCE.
- A sequence that goes down
- The syllables of the words 'revealed' are spread over lots of notes
- This is melismatic (opposite of syllabic)
- Introduced by the tenors
- The third motif
- Is first sung by the altos
- In bars 43-46
- The same bit of melody is repeated 3 times
- Is first sung by the altos
- The fourth motif
- Introduced by the tenors and basses (the only motif that is introduced by two parts)
- In bars 51-57
- Sing in unison for the first 5 bars - then in harmony for the last two
- The motif is mostly on the same note. This is a pedal note
- - a held on note
- The notes are fairly long. It sounds serious and important
- Introduced by the tenors and basses (the only motif that is introduced by two parts)
- Once the motifs have been introduced
- The parts imitate eachother - bars 79 - 83.
- The parts overlap - singing in canon
- The ending
- Last four bars are Adagio
- Plagal cadence (IV - I) makes it sound like its finsihed
- The first motif
- First sung by the altos
- In bars 11-14
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