Emancipation of Expressionism
- Created by: lilyrichards17
- Created on: 28-02-21 08:19
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- Costume
- costume designed to represent the company
- Emanicipation of expressionism
- Lighting
- blue wash ,blue pools, white sidelight from off stage
- Stimulus
- The music: Til Enda by Olafur Arnalds
- the importance of being free to express your self
- Choreographic intention
- emotional journey- journey through life
- theme of order and chaos
- Facts
- choreographer- Kenrick H20 sandy
- company- Boy Blue entertainment
- 17 dancers- 8 male 9 female, the choreographer is in the dance as well
- time- 11 minutes
- performance environment- proscenium arch
- dance style- Hip Hop ( poppin', lockin' , waackin' , breakin' , krumpin')
- company- Boy Blue entertainment
- choreographer- Kenrick H20 sandy
- Lighting
- blue t-shirt and jeans, grey trainers
- females wear unique hairstyles and some every day jewellery
- hair tied back to enhance facial expressions
- everyday jewellery to show individuality
- Choreographic approach
- choreographer worked collaboratively with the dancers
- signature motifs of the company used throughout (ninja motifs)
- developed using devices and formations- specific attention to the aural setting- direct correlation
- signature motifs of the company used throughout (ninja motifs)
- Emanicipation of expressionism
- Lighting
- blue wash ,blue pools, white sidelight from off stage
- Stimulus
- The music: Til Enda by Olafur Arnalds
- the importance of being free to express your self
- Choreographic intention
- emotional journey- journey through life
- theme of order and chaos
- Facts
- choreographer- Kenrick H20 sandy
- company- Boy Blue entertainment
- 17 dancers- 8 male 9 female, the choreographer is in the dance as well
- time- 11 minutes
- performance environment- proscenium arch
- dance style- Hip Hop ( poppin', lockin' , waackin' , breakin' , krumpin')
- company- Boy Blue entertainment
- choreographer- Kenrick H20 sandy
- Lighting
- choreographer worked collaboratively with the dancers
- Staging/set
- There is no set, bare stage
- structure
- 1. genesis
- 2.Growth & struggle
- struggling to be free, trying to find individual expressionism, conformity and order
- struggle for the recognition of individual passion and expressionism
- 3.connection and flow
- energy flows through the dancers sometimes controlled by an individual and sometimes in a group
- 4.empowerment
- energy is captured and released
- start of life, a feeling starts to grow and created from the womb of expression
- 2.Growth & struggle
- 1. genesis
- Aural setting
- original production and arrangement by Michael 'Mickey J' who is part of BBE
- music shifts from two urban pieces using powerful drum beats and electronic sounds, to a modern classical composition
- original production and arrangement by Michael 'Mickey J' who is part of BBE
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