practitioner theory - brecht and artaudian
- Created by: phoebehendry
- Created on: 22-08-18 09:39
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- Practitioner theory
- Artaudian
- Immersive theatre
- feel in characters shoes/part of story
- Theatre of cruelty
- uses blackbox theatre
- takes away audiences senses- bombardment of light/sound then silence.
- no costume or set
- takes away audiences senses- bombardment of light/sound then silence.
- uses blackbox theatre
- immersed audience within characters and the piece
- Heroin addict- reflect his mental state on stage
- physical theatre- language of body, not voice
- Immersive theatre
- Brechtian
- Brecht/ didactic/ epic theatre
- epic theatre= practitioners responded to the political climate of the time through the creation of a new political theatre
- audience think about play after
- lighting
- Big white flood lights, audience can see lights- reminder of always watching a production. Did not want audience immersed.
- During a song- white light to a gold straw- to be different things. House lights on during performance, actors and audience equal.
- set
- Industrial Simple and symbolic
- costume
- Simple Get changed on stage. Everything is representational. Props can be used in a variety of ways. (Eigao ‘just do it’- represent reckless thinking)
- lighting
- acting
- Techniques- Spass- take **** out of something Gestus- character gesture that embodies a feeling or emotion.
- Non linear plot 7 states of tension used in his works. Influenced by greek acting (huge gestures)
- Dual meaning and montage of scenes Abstract and very exaggerated characters.
- sound
- Non linear plot 7 states of tension used in his works. Influenced by greek acting (huge gestures)
- Techniques- Spass- take **** out of something Gestus- character gesture that embodies a feeling or emotion.
- wanted audience to think
- not religious- reflected in his later plays.
- stop audience being passive
- Brecht/ didactic/ epic theatre
- Artaudian
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