Doppelganger- Schubert
- Created by: grace
- Created on: 12-05-13 18:05
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- Doppelganger
- Tonality and Harmony
- Key: Bminor
- Modulates to D# minor in bars 47-50
- Chord I of D# can be seen in bar 47
- A Cx = 7th of D# in bar 48
- Returns to B minor in bar 51
- A Cx = 7th of D# in bar 48
- Tertiary modulation
- Unrelated key
- Verse 3
- Chord I of D# can be seen in bar 47
- Opening stillness
- Dynamics (pp)
- Dominant Pedal/inner pedal of F#
- Verse 1
- 2 Bass Cleff= low pitch
- Verse 1
- 2 Bass Cleff= low pitch
- Sehr Langsam verse 1
- Accelerando b.43
- Static chords
- 2-bar short phrases and low-pitched melody
- G is the highest note in the piece-b.41
- Terror depicted
- Dynamics-crescendo FFF
- Dissonance in chords
- Enters late, urgency
- HIghest note F# in 1st climax
- Falling octaves- overwhelmed
- Bar 41- G-highest note in the whole piece
- Modulates to D# minor in bars 47-50
- Dominant Pedal/inner pedal of F#
- Verse 1
- Verse 1
- Verse 2
- Chromatic dissonance-bar 32 and 41
- Static chords
- 'Bare chords' I, Vb, Vc, V (Ib)
- Opening stillness
- Dynamics (pp)
- Sehr Langsam verse 1
- Accelerando b.43
- 2-bar short phrases and low-pitched melody
- G is the highest note in the piece-b.41
- Terror depicted
- Dynamics-crescendo FFF
- Dissonance in chords
- Enters late, urgency
- HIghest note F# in 1st climax
- Falling octaves- overwhelmed
- Bar 41- G-highest note in the whole piece
- Opening stillness
- Functional Harmony
- Key: Bminor
- Melody
- Ostinato in bar 1 and 31
- Every bar starts and ends on an F#
- Octave range in bars 31 and 32
- Rising melody in b.31 returns to F# at 1st climax
- Each bar starts on a D and goes to high F#
- Verse 2
- Each bar starts on a D and goes to high F#
- Verse 3
- Melody falls to the tonic
- 4th chord in bass part is changed to C major in bar 59
- Singer gradually breaks free of F# bar 41 (G)
- Mainly syllabic with a melisma in bar 54-55
- Vocal range of a 13th (B-G)
- Descending Tonic triad
- Turn is used at bar 21
- 1st high point occurs at bar 31 'Overwhelmed by Pain'
- Second high point occurs at bar 41 'My own face'
- 1st high point occurs at bar 31 'Overwhelmed by Pain'
- Rhythm and Metre
- Slow triple time
- Steady dotted minim chords in piano almost throughout
- Dotted rhythms in vocal part
- Slow triple time
- Structure
- Three verses
- Through-composed
- Based on four - bar ostinato figure
- Texture
- Homophonic
- Voice has main melodic interest
- Piano-chordal and homothythmic
- Four-part doubling in chords, 'Schatz'
- Tonality and Harmony
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