Gatsby, Tess and Rapture Critics - AO3
- Created by: ellie98
- Created on: 13-04-16 17:04
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- Critics - AO3
- Gatsby
- Tess
- Rapture
- Tony Tanner
- "By systematic deletion Fitzgerald makes Gatsby a far more shadowy, less knowable, more ultimately elusive figure"
- "Gatsby's concern with time - its arrest-ability, recuperability, repeatability - is equally obsessive"
- He has given us an El Greco-ish version - heightened, enlarged, excitably glorified - of Gatsby"
- "The green light offers Gatsby a suitably inaccessible focus for his yearning"
- "Nick who transcribes these accounts; how much he may be re-quoting his sources and how much translating them - transforming, embellished, amplifying, rewording - we can never know"
- "About 4% of the book is in Gatsby's own words"
- "Daisy tells Gatsby he reminds her of an advertisement. This statement confirms that Daisy does not like Gatsby for himself but a superficial illusion he represents"
- Frederick C Millet
- "green is the colour of the promise, hope and renewal"
- Frederick C Millet
- [TJ Eckleburg] "reminded that God has been replaced by fading signs of American materialism"
- Bryant Mangum
- "The green light which carries meaning at every level of the story - as Gatsby's go ahead sign, money, as the breast of the green world"
- Bryant Mangum
- Barbara Will
- "He is for most of the novel a force if corruption: a criminal, a bootlegger and an adulterer"
- "What matters to Gatsby matters to us; Gatsby's story is out story, his fate and the fate of the nation entwined"
- Hardy cannot clarify this because he doesn't present Tess as "as a desiring or speaking subject"
- "Ultimately, the meaning of purity hinges on the relation between seduction and ****"
- Ellen Rooney
- on overpowering temptress who ravishes men"
- "victim of her own sexuality"
- "purity depends on passivity"
- Seduction = "less pure speace of complicity, desire and reasing"
- **** = "the unambiguous violence that would guarantee Tess' purity"
- Tess = "radically unreadable"
- Hardy's "unflinching inscription of the inexorable forces that produced her as the seductive object of the discourses of man"
- Ellen Rooney
- "Ultimately, the meaning of purity hinges on the relation between seduction and ****"
- Nancy Barrineau
- "Tess was 'seduced' - that is, led astray, not violated or forced into sexual intercourse against her will."
- "Alex is not a ****** and, although her innocence makes her vulnerable Tess must take some small responsibility for what happens in the Chase."
- "the case for seduction decisively outweighs the case for ****"
- James A. W. Heffernan
- "feminist distinction between **** and intercourse...lies instead in the meaning of the act from the women's point of view"
- Catherine MacKinnon
- "objective" definitions cant distinguish between **** and intercourse which is "subjective"
- "perhaps one reason she seduces casual attention is that she never courts it"
- Catherine MacKinnon
- Tess has been born and nurtured in a village so remote and insular that it does not even feature on the map of Wessex"
- Rob Worrall
- Ian Gregory
- It is both a seduction and a ****
- Kate Kellaway
- "Rapture is intimiate as a dairy - except that it is free of particularity, of not identifying characteristics about the lover, who could be anyone but is not quite everyone"
- This is an elemental love - it could belong to any time were it not for the occasional contemporary accessories"
- The poems are combination of intimate and teasingly anonymous. Pain has more character than the person who has inflicted it."
- Xan Brooks
- Cliché is overturned"
- "These poems are intent as an obsessed lover upon their subject"
- Frances Leviston
- Margaret Reynolds
- "It draws on tradition, but is very up to date"
- Ruth Padel
- "The form that dominate Rapture is the sonnet, the magical shape so suited to reflections of love"
- "she often has a conversational tone of voice - she draws into her poems everyday idioms, cliches that she subverts and the voices of ordinary people with a humorous, jokey slant that makes the reader think afresh"
- Barbara Bleiman
- "challenging the conventional ways"
- "Duffy is unconventional in thinking, vocabulary and intent, but not always in terms of the shape and structure of her poems"
- "For Duffy, the personal and the political are deeply intertwined"
- Barbara Bleiman
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