A Level Music Beethoven First Symphony
Here is a mindmap for those studying AQA Music at as level and are studying the analysis of beethovens first symphony
- Created by: J. Ronan
- Created on: 28-03-13 09:46
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- Beethoven Symphony Analysis - Movement One
- Subject 2 - this is a more relaxed, feminie melody that is imitated by the flutes when played by the oboes - here there is a dialogue between instreuments
- After bar 33, the exposition is finally underway with the use of forte dynamics and the orchestra playing Tutti - with a homophonic texture - This is the Bridge Passage
- Exposition - 1-33 Begins it in the tonic key but does it in an understated way - With P dynamics
- First Subject introduced with the repeated rhythm of dotted quaver and seiquaver and is then modulcated to D Major
- Introduction Bars 1 - 12
- Effect - Creates Tension - goes against conventions of classical writing
- Starts in F Major with perfect cadence - Then moves to an Interrupted G-Am and then a perfect D7 - G
- Introduction Bars 1 - 12
- Effect - Creates Tension - goes against conventions of classical writing
- Introduction Bars 1 - 12
- The woodwind take over the strings and are the dominant sound which is usual as the string were normally the family that led in the classical period.
- Beethoven Symphony Analysis - Movement One
- Subject 2 - this is a more relaxed, feminie melody that is imitated by the flutes when played by the oboes - here there is a dialogue between instreuments
- After bar 33, the exposition is finally underway with the use of forte dynamics and the orchestra playing Tutti - with a homophonic texture - This is the Bridge Passage
- Exposition - 1-33 Begins it in the tonic key but does it in an understated way - With P dynamics
- First Subject introduced with the repeated rhythm of dotted quaver and seiquaver and is then modulcated to D Major
- This indicates that Beethoven did not following what was normally expected in the Classical Periods
- Beethoven Symphony Analysis - Movement One
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