Beethoven sonata
- Created by: Bunnyhop8899
- Created on: 01-01-19 11:10
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- Beethoven- Sonata no. 8 in C minor (Pathetique) Movement 1
- Structure
- Sonata form
- Exposition
- Two themes introduced
- Linked by transitions
- Ends with codetta
- Then repeated
- Two themes introduced
- Devlopment
- Themes in altered keys
- Development starts with four bars from intro
- Recapitulation
- Two themes now in same key
- Recap in Fm, then Cm
- End with a coda
- Starts with 4 bars of intro
- Exposition
- Unusual techniques
- Development starts with four bars from intro
- @ allegro tempo, dev in e minor
- Recap in Fm, then Cm
- Sonata form
- Sonority/ Intruments
- Written for piano
- Varied dynamics
- Cresc, dim
- Anticipating romantic era
- Fortepiano
- Smaller
- Less dynamic contrast
- Varied dynamics
- Sustain pedal
- Greater expression
- Anticipating romantic era
- Varied dynamics
- Cresc, dim
- Complex, altered structure
- Complex chromatic harmony
- Greater expression
- Written for piano
- Texture
- Mainly homophonic
- Monophonic section
- long descending scale
- RH plays octaves intro
- Intro homophonic
- notes playing together in chords
- Homophonic chordal texture
- notes playing together in chords
- (93) two part texture
- Broken chords and melody
- Second (Eb maj) idea of second subject
- Rhythm, tempo, and metre
- Intro
- Grave
- V slow
- 4/4
- Grave
- Mainly v fast
- Allegro di molto en con brio
- Very fast with vigour
- 2/2
- Very rapid notes
- Septuplets
- 1/128th notes
- Allegro di molto en con brio
- Intro
- Tonality
- C minor
- modulates to different keys in development
- Exposition
- **- Eb m than maj (rel. maj)
- FS- Cminor
- Development
- Different keys
- Distance such as E m
- Confirmed by perfect cadances
- Different keys
- Recapitulation
- FS-C minor
- **- F m than cm
- Fm subdominant of C m
- C minor
- Melody
- First Subject
- Rising, dcalic themes
- Two octaves
- C minor
- Staccatto
- Second idea (27)
- Szorzandos
- Broken areggios
- Transition
- moves towards Eb major
- Using dominant note (B b) in bass (dominant preparation)
- moves towards Eb major
- Rising, dcalic themes
- Second Subject
- Eb minor
- Ornaments
- Acciaccatura
- Mordent
- Hand Crossing technique
- First Subject
- Harmony
- Mostly diatonic
- Stndard chords of the time
- some dissonsnt
- diminished seventh (s)
- Augmented sixth (30)
- Mainly root and 1st inversion
- some dissonsnt
- Cadances
- Interrupted (9)
- Perfect
- Key changes
- End of section
- Fucntional harmony
- Key changes
- Fucntional harmony
- Structure
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