AOS2

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  • AOS2
    • Schoenberg: Peripetie
      • Instrumentation
        • Large orchestra, at least 90 players
        • Uses extreme range of pitch
        • Unusual effects eg tremolo played near bridge
      • Melody
        • Fragmented motifs
        • Disjunct
        • Octave displacement
      • Rhythm, Metre and Tempo
        • 3/4, 2/4, 4/4
        • Sehr Rasch
      • Tonality and Harmony
        • Atonal, dissonant
        • Chords and melodies built up from hexachords
      • Texture
        • Contrapuntal
        • Imitation, inversion and canons
      • Dynamics
        • ppp-fff, sudden changes
      • Structure
        • free rondo: ABACA
      • Written in 1909
    • Bernstein: Something's Coming
      • Texture
        • Homophonic
        • Repeated riff to open
      • Structure
        • 3 main themes
      • Instrumentation
        • Tenor solo, woodwind, brass, percussion, strings
      • Melody
        • Syncopated
        • Syllabic
      • Rhythm, Metre and Tempo
        • 3/4, 2/4
        • Syncopated
      • Tonality and Harmony
        • D major with two sections in C major
        • Sharpened fourths and flattened sevenths
        • Jazz-influenced
      • Written in 1957
    • Reich: Electric Counterpoint
      • Written in 1987
      • Rhythm, Metre and Tempo
        • 3/2, 192 crotchets per minute
        • Syncopation
      • Instrumentation
        • One live guitar, seven guitars, two bass guitars
      • Structure
        • Quaver motif layered
      • Melody
        • Made up of one bar motif
        • Note addition
      • Texture
        • Contrapuntal
      • Tonality and Harmony
        • G major, diatonic
        • Hexatonic scales
      • Dynamics
        • Only change through addition/ subtraction of instruments

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