Music
- Created by: Rachel D
- Created on: 11-09-14 16:51
View mindmap
- And The Glory Of The Lord- Handel
- Perfroming Forces
- Soprano
- Mezzo
- Tenors
- Basses
- Tenors
- Mezzo
- Strings
- Continuo
- Often Doubles vocal lines
- Soprano
- Structure
- Orchestral Introduction called ritornello
- Differnet combinations of the four motifs
- 1.And the glory the glory of the lord: first sung by altos in key of A major
- 2.Shall be revealed. First sung by the tenors. This motif uses a descending sequence and a melisma on the word revealed
- 3.And all flesh shall see it together. First sung by the altos
- 4. for the mouth of the lord hath spoken it. first sung by the tenors and basses
- 3.And all flesh shall see it together. First sung by the altos
- 2.Shall be revealed. First sung by the tenors. This motif uses a descending sequence and a melisma on the word revealed
- 1.And the glory the glory of the lord: first sung by altos in key of A major
- Rhythm, Metre and Tempo
- Dance Like metre of 3/4
- Fast tempo
- has a general pause.
- There are hemiolas
- Rhythm, Metre and Tempo
- Dance Like metre of 3/4
- Fast tempo
- has a general pause.
- There are hemiolas
- There are hemiolas
- has a general pause.
- Fast tempo
- Dance Like metre of 3/4
- Rhythm, Metre and Tempo
- There are hemiolas
- has a general pause.
- Fast tempo
- Dance Like metre of 3/4
- Tonality and Harmony
- Piece in A major
- It Modulates to two relevant keys: the dominant E Major and the supertonic B Majoir
- The work ends in a plagal cadence in A Major
- The harmony is diatonic
- It Modulates to two relevant keys: the dominant E Major and the supertonic B Majoir
- The harmony is diatonic
- Piece in A major
- Texture
- Most of the piece alternates between homophonic and contrapuntal
- There is a very short monophonic passage in bars 108-109
- Uses imitation
- Texture
- Most of the piece alternates between homophonic and contrapuntal
- There is a very short monophonic passage in bars 108-109
- Uses imitation
- Uses imitation
- There is a very short monophonic passage in bars 108-109
- Most of the piece alternates between homophonic and contrapuntal
- Texture
- Uses imitation
- There is a very short monophonic passage in bars 108-109
- Most of the piece alternates between homophonic and contrapuntal
- Perfroming Forces
Similar Music resources:
Teacher recommended
Comments
No comments have yet been made